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	<title>Darío Ferrer &#187; Impresos</title>
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		<title>Fabricantes de tipografía y sus acrónimos</title>
		<link>http://www.darioferrer.com/impresos/fabricantes-de-tipografia-y-sus-acronimos-146.html</link>
		<comments>http://www.darioferrer.com/impresos/fabricantes-de-tipografia-y-sus-acronimos-146.html#comments</comments>
		<pubDate>Wed, 03 Jun 2009 20:21:59 +0000</pubDate>
		<dc:creator>Darío Ferrer</dc:creator>
				<category><![CDATA[Impresos]]></category>

		<guid isPermaLink="false">http://www.darioferrer.com/?p=146</guid>
		<description><![CDATA[<p>Consiste en una tabla referencial sobre los nombres de las empresas creadoras de tipografía y sus códigos de identificación (también conocidos como acrónimos), los cuales también son utilizados en los nombres de las fuentes.<span id="more-146"></span></p>
<p><strong>Observación:</strong> Los acrónimos con <strong>[MS_VI]</strong> son los grabados por Microsoft o Fontlab.</p>
<table id="tablaGenerica">
<tr>
<th class="letra" colspan="2">#</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>NCND</td>
<td>&amp;cond / Hanley, Peter [MS_VI]</td>
</tr>
<tr>
<td>04</td>
<td>04 Foundry</td>
</tr>
<tr>
<td>11THF</td>
<td>11th Floor</td>
</tr>
<tr>
<td>13THDG</td>
<td>13th Degree</td>
</tr>
<tr>
<td>18+</td>
<td>18+ Fonts</td>
</tr>
<tr>
<td>23SE</td>
<td>23.SE</td>
</tr>
<tr>
<td>2APES</td>
<td>2Apes.com</td>
</tr>
<tr>
<td>2REB</td>
<td>2Rebels [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">A</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>ABCD</td>
<td>ABC Design</td>
</tr>
<tr>
<td>ABCTECH</td>
<td>ABC Tech</td>
</tr>
<tr>
<td>ABOU</td>
<td>Aboutype Inc. / AboutFace (ABOUT) [MS_VI]</td>
</tr>
<tr>
<td>VAQ</td>
<td>Abraitis, Vytautas (KA)</td>
</tr>
<tr>
<td>ABSTRACT</td>
<td>Abstract Fonts</td>
</tr>
<tr>
<td>ACCENT</td>
<td>Accent Graphics</td>
</tr>
<tr>
<td>ACME</td>
<td>ACME Fonts</td>
</tr>
<tr>
<td>ACUT</td>
<td>Acute Type (ACUTE) [MS_VI]</td>
</tr>
<tr>
<td>ADVG</td>
<td>Ad Vance Graphics</td>
</tr>
<tr>
<td>ADCRO</td>
<td>Adcrobatics (ADC)</td>
</tr>
<tr>
<td>ADDICT</td>
<td>Addict Inc.</td>
</tr>
<tr>
<td>ADBE</td>
<td>Adobe [MS_VI]</td>
</tr>
<tr>
<td>AERO</td>
<td>Aerotype</td>
</tr>
<tr>
<td>ATC</td>
<td>Against The Clock</td>
</tr>
<tr>
<td>AGFA</td>
<td>AGFA (AG, CG, ATT, AT) [MS_VI]</td>
</tr>
<tr>
<td>AICHER</td>
<td>Aicher, Otl</td>
</tr>
<tr>
<td>AIRW</td>
<td>AirWindows</td>
</tr>
<tr>
<td>ADAM</td>
<td>AKM Adam</td>
</tr>
<tr>
<td>ABS</td>
<td>Al Branter Studios</td>
</tr>
<tr>
<td>ALXDRIA</td>
<td>Alexandria</td>
</tr>
<tr>
<td>ALIAS</td>
<td>Alias</td>
</tr>
<tr>
<td>ALLIED</td>
<td>Allied Corporation</td>
</tr>
<tr>
<td>ALL*</td>
<td>Allstar</td>
</tr>
<tr>
<td>AO</td>
<td>Alpha Omega Typography</td>
</tr>
<tr>
<td>ALPHAB</td>
<td>Alphabet Design</td>
</tr>
<tr>
<td>AI</td>
<td>Alphabet Innovations</td>
</tr>
<tr>
<td>ASOUP</td>
<td>Alphabet Soup</td>
</tr>
<tr>
<td>ALFA</td>
<td>Alphabets*Inc. (A*I) [MS_VI]</td>
</tr>
<tr>
<td>ABYTES</td>
<td>AlphaBytes / Leuschke, Rob</td>
</tr>
<tr>
<td>ALPH</td>
<td>Alphameric Broadcast Solutions Limited [MS_VI]</td>
</tr>
<tr>
<td>ALPHS</td>
<td>AlphS</td>
</tr>
<tr>
<td>ALPN</td>
<td>Alpona Portal [MS_VI]</td>
</tr>
<tr>
<td>ALSPACH</td>
<td>Alspach, Ted</td>
</tr>
<tr>
<td>ABC</td>
<td>Altek Instruments [MS_VI]</td>
</tr>
<tr>
<td>ALTE</td>
<td>Altemus Creations (ALTEM) [MS_VI]</td>
</tr>
<tr>
<td>AEF</td>
<td>Altered Ego Fonts [MS_VI]</td>
</tr>
<tr>
<td>ALTS</td>
<td>Altsys / Macromedia (ALTSYS) [MS_VI]</td>
</tr>
<tr>
<td>AAART</td>
<td>American Applied Arts</td>
</tr>
<tr>
<td>AGC</td>
<td>American Greetings Corp. (CAC)</td>
</tr>
<tr>
<td>ATF</td>
<td>American Type Founders</td>
</tr>
<tr>
<td>AMOEBA</td>
<td>Amoeba</td>
</tr>
<tr>
<td>AMP</td>
<td>Ampersand Digital</td>
</tr>
<tr>
<td>AOP</td>
<td>An Art Of Pengwyn [MS_VI]</td>
</tr>
<tr>
<td>ANDERT</td>
<td>Anderton, Bob</td>
</tr>
<tr>
<td>ANDR</td>
<td>Andresen, Mark</td>
</tr>
<tr>
<td>ANON</td>
<td>Anonymous</td>
</tr>
<tr>
<td>ANTA</td>
<td>Antaviana / Astramat</td>
</tr>
<tr>
<td>ANT</td>
<td>Anthem Type</td>
</tr>
<tr>
<td>APC</td>
<td>APCOM Ltd.</td>
</tr>
<tr>
<td>APOLLO</td>
<td>Apollo Program, The</td>
</tr>
<tr>
<td>APOS</td>
<td>Apostrophic Laboratories (LAB) [MS_VI]</td>
</tr>
<tr>
<td>APPL</td>
<td>Apple (APPLE) [MS_VI]</td>
</tr>
<tr>
<td>ASYM</td>
<td>Applied Symbols (APPSY) [MS_VI]</td>
</tr>
<tr>
<td>APPLY</td>
<td>Apply Design Group</td>
</tr>
<tr>
<td>APLY</td>
<td>Apply Interactive [MS_VI]</td>
</tr>
<tr>
<td>AQUIL</td>
<td>Aquillia</td>
</tr>
<tr>
<td>ABBO</td>
<td>Arabic Dictionary Lab [MS_VI]</td>
</tr>
<tr>
<td>ARCM</td>
<td>ARC Media</td>
</tr>
<tr>
<td>ARCH</td>
<td>Architext [MS_VI]</td>
</tr>
<tr>
<td>ARTY</td>
<td>Archive Type [MS_VI]</td>
</tr>
<tr>
<td>ARES</td>
<td>Ares / Fabian, Nicholas</td>
</tr>
<tr>
<td>ARGH</td>
<td>ARGH!</td>
</tr>
<tr>
<td>ARMOR</td>
<td>Armor, Daniel</td>
</tr>
<tr>
<td>ARPH</td>
<td>Arphic Technology Co. [MS_VI]</td>
</tr>
<tr>
<td>ARROYO</td>
<td>Arroyo-Style</td>
</tr>
<tr>
<td>ARST</td>
<td>ARS Type / ARS Design</td>
</tr>
<tr>
<td>ARSNL</td>
<td>Arsenal Fonts</td>
</tr>
<tr>
<td>A&amp;S</td>
<td>Art &amp; Sign Studio</td>
</tr>
<tr>
<td>ART</td>
<td>Art Fonts</td>
</tr>
<tr>
<td>ARTPARTS</td>
<td>ArtParts Fonts</td>
</tr>
<tr>
<td>AQUAKE</td>
<td>Artquake</td>
</tr>
<tr>
<td>1ASC</td>
<td>Ascender Corporation [MS_VI]</td>
</tr>
<tr>
<td>AOE</td>
<td>Astigmatic One Eye</td>
</tr>
<tr>
<td>ASSA</td>
<td>Astype [MS_VI]</td>
</tr>
<tr>
<td>ATECH</td>
<td>Atech Software</td>
</tr>
<tr>
<td>ADT</td>
<td>Atelier de Découpage Typographique</td>
</tr>
<tr>
<td>ATOMICMED</td>
<td>Atomic Media</td>
</tr>
<tr>
<td>ATOMIC</td>
<td>AtomicType</td>
</tr>
<tr>
<td>AZ</td>
<td>ATRI, Graphic bureau Az-Zet</td>
</tr>
<tr>
<td>AE</td>
<td>Attention Earthling</td>
</tr>
<tr>
<td>ATT</td>
<td>Attitude</td>
</tr>
<tr>
<td>AES</td>
<td>Audio Electric Systems</td>
</tr>
<tr>
<td>AURAS</td>
<td>Auras Design</td>
</tr>
<tr>
<td>AUTF</td>
<td>Australian Type Foundry</td>
</tr>
<tr>
<td>AUTO</td>
<td>Autologic Incorporated</td>
</tr>
<tr>
<td>AL</td>
<td>Autumn Leaves</td>
</tr>
<tr>
<td>AZLS</td>
<td>Azalea Software, Inc. [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">B</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>BWFW</td>
<td>B/W Fontworks (B/W) [MS_VI]</td>
</tr>
<tr>
<td>BAG</td>
<td>BA Graphics / Alonso, Bob</td>
</tr>
<tr>
<td>BAAR</td>
<td>Baar, Lutz</td>
</tr>
<tr>
<td>BSK</td>
<td>Babylon Schrift Kontor</td>
</tr>
<tr>
<td>BRF&amp;G</td>
<td>BackRoom Fonts &amp; Graphics</td>
</tr>
<tr>
<td>BAKER.A</td>
<td>Baker, Arthur</td>
</tr>
<tr>
<td>BAKER.P</td>
<td>Baker, Peter S.</td>
</tr>
<tr>
<td>BANG</td>
<td>Bang the Drums</td>
</tr>
<tr>
<td>BCP</td>
<td>Barcode Products Ltd. [MS_VI]</td>
</tr>
<tr>
<td>BS</td>
<td>Barcodesoft [MS_VI]</td>
</tr>
<tr>
<td>BAR</td>
<td>Barnett, Don</td>
</tr>
<tr>
<td>BASE</td>
<td>Baseline Fonts (BS) [MS_VI]</td>
</tr>
<tr>
<td>BASTIAN</td>
<td>Bastian, David</td>
</tr>
<tr>
<td>EK</td>
<td>Baxter, Melissa</td>
</tr>
<tr>
<td>BAY</td>
<td>Bay Animation Inc.</td>
</tr>
<tr>
<td>BEA</td>
<td>Beatty, Richard</td>
</tr>
<tr>
<td>BEAU</td>
<td>Beaufonts</td>
</tr>
<tr>
<td>BECK</td>
<td>Becker, Alf R.</td>
</tr>
<tr>
<td>BEE</td>
<td>Bee, Marty</td>
</tr>
<tr>
<td>BEEK</td>
<td>Beekus Ad Design</td>
</tr>
<tr>
<td>BADF</td>
<td>Beetles &amp; Dry Fish</td>
</tr>
<tr>
<td>BELL</td>
<td>Bellart, Josep Patau</td>
</tr>
<tr>
<td>BEL</td>
<td>BelTypo</td>
</tr>
<tr>
<td>BENG</td>
<td>Benjamin Graphics</td>
</tr>
<tr>
<td>BERG</td>
<td>Bergsland Design</td>
</tr>
<tr>
<td>BERN</td>
<td>Berndal, Bo</td>
</tr>
<tr>
<td>BERT</td>
<td>Berthold (BE, BQ) [MS_VI]</td>
</tr>
<tr>
<td>BERTRAND</td>
<td>Bertrand, Jacque</td>
</tr>
<tr>
<td>BESN</td>
<td>Besnard, Roslyne &amp; Michel</td>
</tr>
<tr>
<td>BETA</td>
<td>Betatest Fonts / Fuel Fonts</td>
</tr>
<tr>
<td>B&amp;H</td>
<td>Bigelow &amp; Holmes [MS_VI]</td>
</tr>
<tr>
<td>BIONIC</td>
<td>Bionic Type</td>
</tr>
<tr>
<td>BTE</td>
<td>Bionic Type Engineering</td>
</tr>
<tr>
<td>BITM</td>
<td>Bitmap Software (BM) [MS_VI]</td>
</tr>
<tr>
<td>BMANIA</td>
<td>BitmapMania</td>
</tr>
<tr>
<td>BITS</td>
<td>Bitstream (BT, BITS) [MS_VI]</td>
</tr>
<tr>
<td>BIZF</td>
<td>Bizfonts.com (BIZ) [MS_VI]</td>
</tr>
<tr>
<td>BLAKE</td>
<td>Blake, Stephenson</td>
</tr>
<tr>
<td>BLAM</td>
<td>Blambot Fonts</td>
</tr>
<tr>
<td>BLIP</td>
<td>Blip in the Continuum</td>
</tr>
<tr>
<td>BLI</td>
<td>Blissym Language Institute [MS_VI]</td>
</tr>
<tr>
<td>BJFS</td>
<td>Blue Jay Font Studio</td>
</tr>
<tr>
<td>LRB</td>
<td>Blue Rats / Les Rats Bleus</td>
</tr>
<tr>
<td>BSKY</td>
<td>Blue Sky Graphics</td>
</tr>
<tr>
<td>BLUVNL</td>
<td>Blue Vinyl Fonts (BV)</td>
</tr>
<tr>
<td>BHAUS</td>
<td>BombHaus / Debus, David M.</td>
</tr>
<tr>
<td>BTD</td>
<td>Born To Design</td>
</tr>
<tr>
<td>BOS</td>
<td>Bos, Ed</td>
</tr>
<tr>
<td>BOTON</td>
<td>Boton, Albert</td>
</tr>
<tr>
<td>1BOU</td>
<td>Boutros International (BOUT) [MS_VI]</td>
</tr>
<tr>
<td>BOUWSMA</td>
<td>Bouwsma, Phillip (PB)</td>
</tr>
<tr>
<td>BOYB</td>
<td>BoyBeaver Fonts [MS_VI]</td>
</tr>
<tr>
<td>BE</td>
<td>Brain Eaters Font Co.</td>
</tr>
<tr>
<td>BSTEW</td>
<td>Brain Stew Fonts / Clayton, Mike</td>
</tr>
<tr>
<td>BRAIN</td>
<td>BrainReactor</td>
</tr>
<tr>
<td>BRANT</td>
<td>Branter, Al</td>
</tr>
<tr>
<td>BRASS</td>
<td>Brass Fonts</td>
</tr>
<tr>
<td>BTN</td>
<td>Breaking the Norm</td>
</tr>
<tr>
<td>BREN</td>
<td>Brendel Informatik / QBF (BI)</td>
</tr>
<tr>
<td>STF</td>
<td>Brian Sooy &amp; Co / Sooy Type Foundry [MS_VI]</td>
</tr>
<tr>
<td>BRIEM</td>
<td>Briem, Gunnlager SE</td>
</tr>
<tr>
<td>BRIGGS</td>
<td>Briggs, Joanna</td>
</tr>
<tr>
<td>BRIGHT</td>
<td>Bright Ideas Fonts</td>
</tr>
<tr>
<td>BR+</td>
<td>Broderbund</td>
</tr>
<tr>
<td>BROOKS</td>
<td>Brooks Design / Brooks, Michael</td>
</tr>
<tr>
<td>BROWN</td>
<td>Brown, Chris</td>
</tr>
<tr>
<td>VONK</td>
<td>BRS Premsela Vonk / Eden</td>
</tr>
<tr>
<td>BUDDHA</td>
<td>Buddha Graphix</td>
</tr>
<tr>
<td>BURG</td>
<td>Burghal Design</td>
</tr>
<tr>
<td>BD</td>
<td>Büro Destruct</td>
</tr>
<tr>
<td>ROBO</td>
<td>Buro Petr van Blokland [MS_VI]</td>
</tr>
<tr>
<td>BUTT</td>
<td>Buttfaces Digital Type Foundry / Tylus, Tobias</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">C</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>CABA</td>
<td>Cabarga, Leslie</td>
</tr>
<tr>
<td>CAFF</td>
<td>Caffeen Fonts</td>
</tr>
<tr>
<td>CKTP</td>
<td>CakeType [MS_VI]</td>
</tr>
<tr>
<td>CAL</td>
<td>CalArts</td>
</tr>
<tr>
<td>CALLI</td>
<td>Callifonts</td>
</tr>
<tr>
<td>CALLIG</td>
<td>Calligraphics Fonts</td>
</tr>
<tr>
<td>CAM</td>
<td>Cambridge Fontworks</td>
</tr>
<tr>
<td>CAN</td>
<td>Canada Type</td>
</tr>
<tr>
<td>CANO</td>
<td>Canon [MS_VI]</td>
</tr>
<tr>
<td>CARD</td>
<td>Cardboard</td>
</tr>
<tr>
<td>CARINI</td>
<td>Carini Type Foundry</td>
</tr>
<tr>
<td>CARL</td>
<td>Carlos, Wendy neT Walter</td>
</tr>
<tr>
<td>CARNATE</td>
<td>Carnate, Evelyn</td>
</tr>
<tr>
<td>CARPENT</td>
<td>Carpenter Type</td>
</tr>
<tr>
<td>CARPE</td>
<td>CarpeSaponem / McFalls, Sarah</td>
</tr>
<tr>
<td>CARR</td>
<td>Carr, Allan</td>
</tr>
<tr>
<td>CARSON</td>
<td>Carson, David</td>
</tr>
<tr>
<td>C&amp;C</td>
<td>Carter &amp; Cone [MS_VI]</td>
</tr>
<tr>
<td>CARTOON</td>
<td>Cartoon Fonts</td>
</tr>
<tr>
<td>CASATOAD</td>
<td>Casa de Toad</td>
</tr>
<tr>
<td>C&amp;G</td>
<td>Casady &amp; Greene (CG, FLF)</td>
</tr>
<tr>
<td>CT</td>
<td>CastleType / Castle Systems (CAST) [MS_VI]</td>
</tr>
<tr>
<td>CAVA</td>
<td>Cavanaugh, Sean</td>
</tr>
<tr>
<td>SKZ</td>
<td>Celtic Lady&#8217;s Fonts [MS_VI]</td>
</tr>
<tr>
<td>CDAC</td>
<td>Centre for Development of Advanced Computing [MS_VI]</td>
</tr>
<tr>
<td>MC</td>
<td>Cerajewski Computer Consulting [MS_VI]</td>
</tr>
<tr>
<td>CHANK</td>
<td>Chank Fonts (CK)</td>
</tr>
<tr>
<td>CHZERO</td>
<td>Channel Zero!</td>
</tr>
<tr>
<td>CHAR</td>
<td>Characters [MS_VI]</td>
</tr>
<tr>
<td>CHEESE</td>
<td>Cheeseman, Casey</td>
</tr>
<tr>
<td>CHEOPS</td>
<td>Cheops / Dieznyik, Scott</td>
</tr>
<tr>
<td>CG</td>
<td>Chevalier Gris</td>
</tr>
<tr>
<td>CTDL</td>
<td>China Type Designs Ltd. [MS_VI]</td>
</tr>
<tr>
<td>CHIS</td>
<td>Chisholm, Matt</td>
</tr>
<tr>
<td>CHOMP</td>
<td>Chomp!Font</td>
</tr>
<tr>
<td>CSD</td>
<td>Christian Schwartz Design (CZ)</td>
</tr>
<tr>
<td>CMGA</td>
<td>Christopher Mueller Graphic Arts</td>
</tr>
<tr>
<td>BARS</td>
<td>CIA (BAR CODES) UK [MS_VI]</td>
</tr>
<tr>
<td>CINA</td>
<td>Cinahaus / TrueIsTrue / Cina, Michael</td>
</tr>
<tr>
<td>CIRCUS</td>
<td>Circus Design</td>
</tr>
<tr>
<td>CLAYES</td>
<td>Claeys, Bart</td>
</tr>
<tr>
<td>CLARK</td>
<td>Clark, Damon</td>
</tr>
<tr>
<td>CFC</td>
<td>Classic Font Corp.</td>
</tr>
<tr>
<td>CL</td>
<td>Clearlight Fonts</td>
</tr>
<tr>
<td>CART</td>
<td>ClickArt Fonts</td>
</tr>
<tr>
<td>CLINCH</td>
<td>Clinch, John H.</td>
</tr>
<tr>
<td>CLOSE</td>
<td>CloseFonts</td>
</tr>
<tr>
<td>C21</td>
<td>Club 21 [MS_VI]</td>
</tr>
<tr>
<td>CLUBT</td>
<td>Club Type</td>
</tr>
<tr>
<td>CODA</td>
<td>Coda, Richard M.</td>
</tr>
<tr>
<td>COFINO</td>
<td>Cofino SA</td>
</tr>
<tr>
<td>COMDES</td>
<td>Comania Design</td>
</tr>
<tr>
<td>CC</td>
<td>Comicraft / Comic Book Fonts</td>
</tr>
<tr>
<td>CMDZ</td>
<td>Command Z.</td>
</tr>
<tr>
<td>COMSHOP</td>
<td>Communications Shop</td>
</tr>
<tr>
<td>CFA</td>
<td>Computer Fonts Australia [MS_VI]</td>
</tr>
<tr>
<td>CWWF</td>
<td>Computers World Wide / AC Capital Funding [MS_VI]</td>
</tr>
<tr>
<td>CUW</td>
<td>Compuworks</td>
</tr>
<tr>
<td>CONIGLIO</td>
<td>Coniglio, Joseph</td>
</tr>
<tr>
<td>CONR</td>
<td>Connare.com / Connare, Vincent (CONNA) [MS_VI]</td>
</tr>
<tr>
<td>COOL</td>
<td>Cool Fonts [MS_VI]</td>
</tr>
<tr>
<td>CORD</td>
<td>Corduroy / Sean Arnett Type Foundry [MS_VI]</td>
</tr>
<tr>
<td>CORE</td>
<td>Core / Fredrikson, Martin</td>
</tr>
<tr>
<td>CORP</td>
<td>Corporate Fonts</td>
</tr>
<tr>
<td>COSMO</td>
<td>Cosmonaut Fonts</td>
</tr>
<tr>
<td>COSTEN</td>
<td>Costentino, Michael</td>
</tr>
<tr>
<td>CRAN</td>
<td>Cranbrook Design</td>
</tr>
<tr>
<td>CRAP</td>
<td>Crap Hound</td>
</tr>
<tr>
<td>CRAW</td>
<td>Crawford, Allen</td>
</tr>
<tr>
<td>CRAZYD</td>
<td>Crazy Diamond</td>
</tr>
<tr>
<td>CAC</td>
<td>Create-A-Card</td>
</tr>
<tr>
<td>CK</td>
<td>Creating Keepsakes / PriMedia</td>
</tr>
<tr>
<td>CA</td>
<td>Creative Alliance / AGFA</td>
</tr>
<tr>
<td>CSOFT</td>
<td>Creative Software Designs</td>
</tr>
<tr>
<td>CT&amp;G</td>
<td>Creative Type &amp; Graphics</td>
</tr>
<tr>
<td>CRUZ</td>
<td>Cruz, Ray</td>
</tr>
<tr>
<td>CSA</td>
<td>CSA Images</td>
</tr>
<tr>
<td>CUBA</td>
<td>Cubanica</td>
</tr>
<tr>
<td>CUTTLE</td>
<td>Cuttle, Howard</td>
</tr>
<tr>
<td>CYCL</td>
<td>Cyclone Graphics</td>
</tr>
<tr>
<td>CZYK</td>
<td>CZYK Systems, Inc.</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">D</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>DALOMB</td>
<td>da Lomba, Luiz</td>
</tr>
<tr>
<td>DS</td>
<td>Dainippon Screen Mfg. Co., Inc. [MS_VI]</td>
</tr>
<tr>
<td>DAMA</td>
<td>Dalton Maag Limited (DM, DALT) [MS_VI]</td>
</tr>
<tr>
<td>DARE</td>
<td>Dare</td>
</tr>
<tr>
<td>DARKSIDE</td>
<td>Darkside Productions</td>
</tr>
<tr>
<td>DSBV</td>
<td>Datascan BV [MS_VI]</td>
</tr>
<tr>
<td>DFS</td>
<td>Datascan Font Service Ltd [MS_VI]</td>
</tr>
<tr>
<td>DAV</td>
<td>Davies, Brian</td>
</tr>
<tr>
<td>DAVIS</td>
<td>Davis, Chuck</td>
</tr>
<tr>
<td>DAVI</td>
<td>Davis, Tom</td>
</tr>
<tr>
<td>DEBER</td>
<td>De Berranger, Erik</td>
</tr>
<tr>
<td>DEGOE</td>
<td>De Goede, Julius</td>
</tr>
<tr>
<td>DENADA</td>
<td>De Nada</td>
</tr>
<tr>
<td>DECHASER</td>
<td>DeCheser, David</td>
</tr>
<tr>
<td>DECO</td>
<td>Deco [MS_VI]</td>
</tr>
<tr>
<td>DT</td>
<td>DecoType [MS_VI]</td>
</tr>
<tr>
<td>DELV</td>
<td>Delve Media Arts Fonts (DELVE) [MS_VI]</td>
</tr>
<tr>
<td>DENIART</td>
<td>Deniart</td>
</tr>
<tr>
<td>D76</td>
<td>Design 76</td>
</tr>
<tr>
<td>DL</td>
<td>Design Lab</td>
</tr>
<tr>
<td>DP</td>
<td>Design Plus (DES+)</td>
</tr>
<tr>
<td>DSCI</td>
<td>Design Science Inc. [MS_VI]</td>
</tr>
<tr>
<td>DSHOCK</td>
<td>Designer Shock</td>
</tr>
<tr>
<td>DR</td>
<td>Designers Republic</td>
</tr>
<tr>
<td>DEVER</td>
<td>Dever, Todd</td>
</tr>
<tr>
<td>DEVICE</td>
<td>Device Fonts (DF)</td>
</tr>
<tr>
<td>DEVINE</td>
<td>Devine, Joe</td>
</tr>
<tr>
<td>DEVROY</td>
<td>Devroye, Luc</td>
</tr>
<tr>
<td>DFT</td>
<td>DF Type</td>
</tr>
<tr>
<td>DF667</td>
<td>DF667 Font Foundry</td>
</tr>
<tr>
<td>DISCLL</td>
<td>Di Sciullo, Pierre</td>
</tr>
<tr>
<td>DVT</td>
<td>Diehl Volk Typographics (DV)</td>
</tr>
<tr>
<td>DIFF</td>
<td>Difficult Fonts</td>
</tr>
<tr>
<td>DAF</td>
<td>Digital Agent Foundry</td>
</tr>
<tr>
<td>DIGEMP</td>
<td>Digital Empires</td>
</tr>
<tr>
<td>DGL</td>
<td>Digital Graphic Labs foundry [MS_VI]</td>
</tr>
<tr>
<td>DQF</td>
<td>Digital Quill Foundry</td>
</tr>
<tr>
<td>DTF</td>
<td>Digital Type Foundry</td>
</tr>
<tr>
<td>DTC</td>
<td>Digital Typeface Corp. [MS_VI]</td>
</tr>
<tr>
<td>DINC</td>
<td>dincTYPE</td>
</tr>
<tr>
<td>GOAT</td>
<td>Dingbat Dungeon [MS_VI]</td>
</tr>
<tr>
<td>RAFAEL</td>
<td>Dinner, Rafael</td>
</tr>
<tr>
<td>DIRT</td>
<td>Dirt Fonts</td>
</tr>
<tr>
<td>DISINC</td>
<td>Disappearing Inc. (DI)</td>
</tr>
<tr>
<td>DISTURB</td>
<td>Disturbed Type</td>
</tr>
<tr>
<td>DBZ</td>
<td>Divide by Zero (DIV0)</td>
</tr>
<tr>
<td>DIXIE</td>
<td>Dixie&#8217;s Delights</td>
</tr>
<tr>
<td>DOPE</td>
<td>Dope Fonts</td>
</tr>
<tr>
<td>DAT</td>
<td>Double Alex Team</td>
</tr>
<tr>
<td>DOVER</td>
<td>Dover Publications</td>
</tr>
<tr>
<td>DRAGON</td>
<td>Dragon&#8217;s Den</td>
</tr>
<tr>
<td>DREAMP</td>
<td>Dream Pool, The</td>
</tr>
<tr>
<td>DREDD</td>
<td>Dredd, Haile</td>
</tr>
<tr>
<td>DREYER</td>
<td>Dreyer, Alexander</td>
</tr>
<tr>
<td>DRUNKBOT</td>
<td>Drunk Robot</td>
</tr>
<tr>
<td>DSD</td>
<td>DS Designs (DS)</td>
</tr>
<tr>
<td>DSTYPE</td>
<td>DS Type</td>
</tr>
<tr>
<td>DTPS</td>
<td>DTP Software [MS_VI]</td>
</tr>
<tr>
<td>DTPT</td>
<td>DTP Types Limited (DTP, DT) [MS_VI]</td>
</tr>
<tr>
<td>DUCK</td>
<td>Duckface / Hersey, John</td>
</tr>
<tr>
<td>DUFFY</td>
<td>Duffy</td>
</tr>
<tr>
<td>DURR</td>
<td>Durr, Patrick</td>
</tr>
<tr>
<td>DUSTYBOY</td>
<td>Dustyboy</td>
</tr>
<tr>
<td>DUTCHD</td>
<td>Dutch Design</td>
</tr>
<tr>
<td>DTL</td>
<td>Dutch Type Library</td>
</tr>
<tr>
<td>DUXB</td>
<td>Duxbury Systems, Inc. [MS_VI]</td>
</tr>
<tr>
<td>DYNA</td>
<td>DynaLab / DynaFont [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">E</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>EFNT</td>
<td>E Fonts L.L.C. [MS_VI]</td>
</tr>
<tr>
<td>EBOY</td>
<td>Eboys</td>
</tr>
<tr>
<td>EDU</td>
<td>Educational Fontware (DN, ZB)</td>
</tr>
<tr>
<td>ELEC</td>
<td>Electric Typographer (ET)</td>
</tr>
<tr>
<td>EFF</td>
<td>Electronic Font Foundry [MS_VI]</td>
</tr>
<tr>
<td>ELECTRO</td>
<td>Electropithecus / Tonohka, Wataru</td>
</tr>
<tr>
<td>ELE</td>
<td>elefont / Jakobsson, Mattias</td>
</tr>
<tr>
<td>ELEVEN7</td>
<td>eleven-7</td>
</tr>
<tr>
<td>ELF</td>
<td>Elf Ring Software (ESF)</td>
</tr>
<tr>
<td>ELSE</td>
<td>Elseware / Hewlett-Packard (EC) [MS_VI]</td>
</tr>
<tr>
<td>EF</td>
<td>Elsner and Flake (E+F, E&amp;F) [MS_VI]</td>
</tr>
<tr>
<td>BORW</td>
<td>em2 Solutions [MS_VI]</td>
</tr>
<tr>
<td>EMBOSS</td>
<td>Emboss</td>
</tr>
<tr>
<td>ECF</td>
<td>Emerald City Fontwerks</td>
</tr>
<tr>
<td>EMGR</td>
<td>Émigré (EM, EMI) [MS_VI]</td>
</tr>
<tr>
<td>ARS</td>
<td>EN ARS Ltd. [MS_VI]</td>
</tr>
<tr>
<td>ENLIVEN</td>
<td>Enliven Design</td>
</tr>
<tr>
<td>ENRICH</td>
<td>Enrich Design</td>
</tr>
<tr>
<td>ENS</td>
<td>Enschede</td>
</tr>
<tr>
<td>E-P</td>
<td>E-phemera / Leman, Andrew</td>
</tr>
<tr>
<td>EPIPHANY</td>
<td>epiphany</td>
</tr>
<tr>
<td>EPS</td>
<td>EPS Fonts</td>
</tr>
<tr>
<td>EPSN</td>
<td>Epson [MS_VI]</td>
</tr>
<tr>
<td>ERAS</td>
<td>Erasmus, Jan</td>
</tr>
<tr>
<td>ERLER</td>
<td>Erler, Johannes</td>
</tr>
<tr>
<td>ES</td>
<td>ES Typography</td>
</tr>
<tr>
<td>ESIG</td>
<td>E-Signature [MS_VI]</td>
</tr>
<tr>
<td>ETYP</td>
<td>E-Type</td>
</tr>
<tr>
<td>EVANS</td>
<td>Evans, Jean</td>
</tr>
<tr>
<td>EVER</td>
<td>Evertype / Everson Typography / Everson, Michael [MS_VI]</td>
</tr>
<tr>
<td>EVIL</td>
<td>EvilEmpire</td>
</tr>
<tr>
<td>EXOTIC</td>
<td>Exotic</td>
</tr>
<tr>
<td>EXPERT</td>
<td>Expert</td>
</tr>
<tr>
<td>EXPALPH</td>
<td>Expert Alphabets</td>
</tr>
<tr>
<td>EXP</td>
<td>Exploding Fonts</td>
</tr>
<tr>
<td>EXPRES</td>
<td>Expresfv</td>
</tr>
<tr>
<td>EXTRA</td>
<td>Extra Designs</td>
</tr>
<tr>
<td>EXU</td>
<td>Exuberance</td>
</tr>
<tr>
<td>EYESAW</td>
<td>Eyesaw</td>
</tr>
<tr>
<td>EYE</td>
<td>Eyewire</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">F</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>F2F</td>
<td>Face2Face</td>
</tr>
<tr>
<td>FACTOR</td>
<td>Factor Design</td>
</tr>
<tr>
<td>FAMIPLA</td>
<td>Famipla</td>
</tr>
<tr>
<td>FAMIRA</td>
<td>Famira, Hannes</td>
</tr>
<tr>
<td>FAN</td>
<td>Fancy Graphic</td>
</tr>
<tr>
<td>FZ</td>
<td>Fantazia Concepts</td>
</tr>
<tr>
<td>FAREY</td>
<td>Farey, Dave</td>
</tr>
<tr>
<td>FARTZ</td>
<td>Fartzake</td>
</tr>
<tr>
<td>FDI</td>
<td>FDI fonts.info [MS_VI]</td>
</tr>
<tr>
<td>FELI</td>
<td>Feliciano, Mario</td>
</tr>
<tr>
<td>VF</td>
<td>Ferger, Vic</td>
</tr>
<tr>
<td>FEWELL</td>
<td>Fewell Foundry</td>
</tr>
<tr>
<td>FINAL</td>
<td>Final Type</td>
</tr>
<tr>
<td>39BC</td>
<td>Finley&#8217;s Barcode Fonts [MS_VI]</td>
</tr>
<tr>
<td>FCG</td>
<td>First Class Graphics</td>
</tr>
<tr>
<td>FD</td>
<td>Fish Dicks, Inc.</td>
</tr>
<tr>
<td>FIVE$</td>
<td>Five Buck Fonts</td>
</tr>
<tr>
<td>5PTS</td>
<td>Five Points Technology [MS_VI]</td>
</tr>
<tr>
<td>FLASHP</td>
<td>Flashpoint</td>
</tr>
<tr>
<td>FLEISH</td>
<td>Fleishman, Glenn</td>
</tr>
<tr>
<td>FLOP</td>
<td>Flop Design</td>
</tr>
<tr>
<td>FLOT</td>
<td>Flotsam</td>
</tr>
<tr>
<td>FLF</td>
<td>Fluent Laser Fonts / CG Fonts</td>
</tr>
<tr>
<td>FBI</td>
<td>Font Bureau, Inc., The (Bureau, FB) [MS_VI]</td>
</tr>
<tr>
<td>FCAB</td>
<td>Font Cabinet, The [MS_VI]</td>
</tr>
<tr>
<td>FCHOP</td>
<td>Font Chop</td>
</tr>
<tr>
<td>FC</td>
<td>Font Company, The</td>
</tr>
<tr>
<td>FDINER</td>
<td>Font Diner, Stu&#8217;s (FD)</td>
</tr>
<tr>
<td>FFACT</td>
<td>Font Factory</td>
</tr>
<tr>
<td>FF</td>
<td>Font Font</td>
</tr>
<tr>
<td>FFOR</td>
<td>Font Forest</td>
</tr>
<tr>
<td>FFUNK</td>
<td>Font Funk Factory</td>
</tr>
<tr>
<td>FGODDESS</td>
<td>Font Goddess</td>
</tr>
<tr>
<td>FPAV</td>
<td>Font Pavilion</td>
</tr>
<tr>
<td>FONT</td>
<td>Font Source (FONSOU) [MS_VI]</td>
</tr>
<tr>
<td>FSE</td>
<td>Font Source Europe [MS_VI]</td>
</tr>
<tr>
<td>FONTAGE</td>
<td>Fontage / Kivart</td>
</tr>
<tr>
<td>FCAN</td>
<td>Fontage Canada [MS_VI]</td>
</tr>
<tr>
<td>FAL</td>
<td>Font-A-Licious</td>
</tr>
<tr>
<td>FONTANA</td>
<td>Fontana</td>
</tr>
<tr>
<td>FNOVA</td>
<td>Fontanova</td>
</tr>
<tr>
<td>FBK</td>
<td>FontBank</td>
</tr>
<tr>
<td>FBOY</td>
<td>fontBoy (FBY)</td>
</tr>
<tr>
<td>FCONS</td>
<td>FontConspiracy</td>
</tr>
<tr>
<td>FTI</td>
<td>Fonteam International (FONTEAM)</td>
</tr>
<tr>
<td>FONTEF</td>
<td>Fontef</td>
</tr>
<tr>
<td>FOFA</td>
<td>FontFabrik (FFAB) [MS_VI]</td>
</tr>
<tr>
<td>FTFT</td>
<td>FontFont / FontShop International (FF) [MS_VI]</td>
</tr>
<tr>
<td>FNTF</td>
<td>FontFoundry [MS_VI]</td>
</tr>
<tr>
<td>AH</td>
<td>Fontgrube / Höfeld, Andreas (FGRUBE)</td>
</tr>
<tr>
<td>FHS</td>
<td>Fonthaus / DsgnHaus (FOHA)</td>
</tr>
<tr>
<td>FH</td>
<td>Fonthead Design</td>
</tr>
<tr>
<td>FMART</td>
<td>FontMart</td>
</tr>
<tr>
<td>FMEDIA</td>
<td>FontMedia</td>
</tr>
<tr>
<td>MESA</td>
<td>FontMesa (FM) [MS_VI]</td>
</tr>
<tr>
<td>FOCIDE</td>
<td>Fontocide</td>
</tr>
<tr>
<td>FO</td>
<td>FontOffice</td>
</tr>
<tr>
<td>FARGU</td>
<td>Fontological Argument</td>
</tr>
<tr>
<td>FONTOMAS</td>
<td>Fontomas</td>
</tr>
<tr>
<td>FORG</td>
<td>FontOrg</td>
</tr>
<tr>
<td>FONTORY</td>
<td>Fontory / Behaviour / Type Behaviour</td>
</tr>
<tr>
<td>FSAURUS</td>
<td>Fontosaurus</td>
</tr>
<tr>
<td>FONTRY</td>
<td>Fontry, The</td>
</tr>
<tr>
<td>FFD</td>
<td>Fonts for Design</td>
</tr>
<tr>
<td>FFF</td>
<td>Fonts For Flash</td>
</tr>
<tr>
<td>GOGO</td>
<td>Fonts-A-Go-Go [MS_VI]</td>
</tr>
<tr>
<td>FSI</td>
<td>FontShop International (FF, F, FS) [MS_VI]</td>
</tr>
<tr>
<td>SEAN</td>
<td>FontSite, The (FSITE) [MS_VI]</td>
</tr>
<tr>
<td>FSMI</td>
<td>Fontsmith (FOSMI, FS) [MS_VI]</td>
</tr>
<tr>
<td>FSTUDIO</td>
<td>FontStudio</td>
</tr>
<tr>
<td>FS/YA</td>
<td>Fontstudio Yusuke Anzai</td>
</tr>
<tr>
<td>FSL</td>
<td>FontSurfer Ltd [MS_VI]</td>
</tr>
<tr>
<td>FWRE</td>
<td>Fontware Limited [MS_VI]</td>
</tr>
<tr>
<td>FWORLD</td>
<td>FontWorld</td>
</tr>
<tr>
<td>FOOPY</td>
<td>Foopy</td>
</tr>
<tr>
<td>FORDYCE</td>
<td>Fordyce, Jim</td>
</tr>
<tr>
<td>FRML</td>
<td>Formlos [MS_VI]</td>
</tr>
<tr>
<td>FS</td>
<td>Formula Solutions [MS_VI]</td>
</tr>
<tr>
<td>FOSSLAND</td>
<td>Fossland, Inge</td>
</tr>
<tr>
<td>F&amp;H</td>
<td>Foster &amp; Horton</td>
</tr>
<tr>
<td>FOUN</td>
<td>Foundry, The (FNDRY) [MS_VI]</td>
</tr>
<tr>
<td>QS</td>
<td>Foundry, The / Quay-Sack</td>
</tr>
<tr>
<td>X</td>
<td>Foundry-X</td>
</tr>
<tr>
<td>FTN</td>
<td>Fountain (FOU, FOUNT) [MS_VI]</td>
</tr>
<tr>
<td>FTF</td>
<td>Franklin Type Founders (FRA)</td>
</tr>
<tr>
<td>FREAKY</td>
<td>Freaky Fonts</td>
</tr>
<tr>
<td>FTS</td>
<td>Free Type Society</td>
</tr>
<tr>
<td>FRBAG</td>
<td>French Baguette</td>
</tr>
<tr>
<td>FTNEU</td>
<td>FT Neufville</td>
</tr>
<tr>
<td>FUEL</td>
<td>FuelFonts Type Foundry</td>
</tr>
<tr>
<td>FULLARD</td>
<td>Fullard, Val</td>
</tr>
<tr>
<td>FDF</td>
<td>FunkDaFonts</td>
</tr>
<tr>
<td>FUSE</td>
<td>Fuse Fonts</td>
</tr>
<tr>
<td>FUTURA</td>
<td>Futura</td>
</tr>
<tr>
<td>FUTURE</td>
<td>Future Corporation</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">G</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>G2</td>
<td>G2Systems</td>
</tr>
<tr>
<td>GABOR,P</td>
<td>Gabor, Peter</td>
</tr>
<tr>
<td>GAGA</td>
<td>GagaFonts</td>
</tr>
<tr>
<td>GAINES</td>
<td>Gaines, Michael</td>
</tr>
<tr>
<td>GAJ</td>
<td>Gajentaan, Kees</td>
</tr>
<tr>
<td>GDG</td>
<td>Galapagos Design Group</td>
</tr>
<tr>
<td>GALA</td>
<td>Galápagos Design Group, Inc. (GD) [MS_VI]</td>
</tr>
<tr>
<td>GALO</td>
<td>Gallo, Gerald / Graphics by Gallo (GALLO) [MS_VI]</td>
</tr>
<tr>
<td>GPI</td>
<td>Gamma Productions, Inc. [MS_VI]</td>
</tr>
<tr>
<td>GF</td>
<td>GarageFonts (GAR) [MS_VI]</td>
</tr>
<tr>
<td>GARCIA</td>
<td>Garcia</td>
</tr>
<tr>
<td>GARF</td>
<td>Garfunkel Factory</td>
</tr>
<tr>
<td>GARZON</td>
<td>Garzon, Javier</td>
</tr>
<tr>
<td>GAUT</td>
<td>GautFonts</td>
</tr>
<tr>
<td>GAZOZ</td>
<td>Gazoz, Surat</td>
</tr>
<tr>
<td>GD</td>
<td>GD Fonts [MS_VI]</td>
</tr>
<tr>
<td>GEM</td>
<td>GemFonts / Meade, Graham</td>
</tr>
<tr>
<td>GEMJM</td>
<td>Gemjm</td>
</tr>
<tr>
<td>GG</td>
<td>General Glyphics</td>
</tr>
<tr>
<td>GST</td>
<td>Georg Salden Types</td>
</tr>
<tr>
<td>GIA</td>
<td>Georgian Internet Avenue [MS_VI]</td>
</tr>
<tr>
<td>GFF</td>
<td>GF Fonts / Goldnagl, Lorenz</td>
</tr>
<tr>
<td>GHETTO</td>
<td>Ghetto</td>
</tr>
<tr>
<td>GIBBS</td>
<td>Gibbs, Carolyn</td>
</tr>
<tr>
<td>GLITCH</td>
<td>Glitch</td>
</tr>
<tr>
<td>GLYF</td>
<td>Glyph Systems (GS) [MS_VI]</td>
</tr>
<tr>
<td>GOBLIN</td>
<td>Goblin Arts</td>
</tr>
<tr>
<td>GOLDS</td>
<td>Goldsmith, Holly</td>
</tr>
<tr>
<td>GLF</td>
<td>Golgonooza Letter Foundry</td>
</tr>
<tr>
<td>GOMEZ</td>
<td>Gomez, Derek</td>
</tr>
<tr>
<td>GI</td>
<td>Graphic Illusions</td>
</tr>
<tr>
<td>GRAPH</td>
<td>Graphion</td>
</tr>
<tr>
<td>GT</td>
<td>Graphity! [MS_VI]</td>
</tr>
<tr>
<td>GE</td>
<td>GraphxEdge</td>
</tr>
<tr>
<td>GO</td>
<td>Grass Onions</td>
</tr>
<tr>
<td>GRAVET</td>
<td>Gravette, Patrick</td>
</tr>
<tr>
<td>GRAVY</td>
<td>Gravy Fonts</td>
</tr>
<tr>
<td>GRAY</td>
<td>Gray Graphics</td>
</tr>
<tr>
<td>DEN7</td>
<td>Gray Graphics, Kotaro Hatano</td>
</tr>
<tr>
<td>GREEN</td>
<td>GreenStreet</td>
</tr>
<tr>
<td>GREG</td>
<td>GregFonts / Meronek, Greg</td>
</tr>
<tr>
<td>GRIL</td>
<td>Grilled cheese (GCHEESE) [MS_VI]</td>
</tr>
<tr>
<td>GRIMBY</td>
<td>Grimby, Hans</td>
</tr>
<tr>
<td>AG</td>
<td>Grinbergs, Andrejs / SIA Tilde</td>
</tr>
<tr>
<td>GRINGO</td>
<td>Gringo</td>
</tr>
<tr>
<td>GTYPE</td>
<td>G-Type</td>
</tr>
<tr>
<td>GUAVA</td>
<td>Guava</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">H</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>HAAS</td>
<td>Haas</td>
</tr>
<tr>
<td>HABER</td>
<td>Haber, Blake</td>
</tr>
<tr>
<td>Y2K</td>
<td>Hachmang, Koen (KH)</td>
</tr>
<tr>
<td>HAG</td>
<td>Hague, Gareth</td>
</tr>
<tr>
<td>HALE</td>
<td>Hale + Co.</td>
</tr>
<tr>
<td>BH</td>
<td>Hall, Brian</td>
</tr>
<tr>
<td>HMK</td>
<td>Hallmark</td>
</tr>
<tr>
<td>HF</td>
<td>Handcrafted Fonts</td>
</tr>
<tr>
<td>HANDGR</td>
<td>Handgrenade</td>
</tr>
<tr>
<td>HANDALPH</td>
<td>Handmade Alphabets</td>
</tr>
<tr>
<td>HWF</td>
<td>Handwriting Fonts</td>
</tr>
<tr>
<td>HW</td>
<td>Handwritten Fonts / ClickArt</td>
</tr>
<tr>
<td>HANSS</td>
<td>Hansson, Lennart</td>
</tr>
<tr>
<td>HY</td>
<td>HanYang System [MS_VI]</td>
</tr>
<tr>
<td>HARRIS</td>
<td>Harris Design</td>
</tr>
<tr>
<td>HARRI</td>
<td>Harris, Mark</td>
</tr>
<tr>
<td>HARVEY</td>
<td>Harvey, Thomas</td>
</tr>
<tr>
<td>HATTEN</td>
<td>Hattenbach, Stefan</td>
</tr>
<tr>
<td>HAUSER</td>
<td>Hauser, S.</td>
</tr>
<tr>
<td>HDIA</td>
<td>HDIA</td>
</tr>
<tr>
<td>HEAD</td>
<td>Headliners International</td>
</tr>
<tr>
<td>HEINECK</td>
<td>Heinecke, Stu</td>
</tr>
<tr>
<td>HEMK</td>
<td>Hemker, Jörg</td>
</tr>
<tr>
<td>HS</td>
<td>HermesSOFT Company [MS_VI]</td>
</tr>
<tr>
<td>HERNAN</td>
<td>Hernan Neotechnic</td>
</tr>
<tr>
<td>HP</td>
<td>Hewlett-Packard [MS_VI]</td>
</tr>
<tr>
<td>HXTP</td>
<td>Hexatype [MS_VI]</td>
</tr>
<tr>
<td>HL</td>
<td>High-Logic [MS_VI]</td>
</tr>
<tr>
<td>HILL</td>
<td>Hill Systems [MS_VI]</td>
</tr>
<tr>
<td>HT</td>
<td>Hi-Type</td>
</tr>
<tr>
<td>HJELM</td>
<td>Hjelm, Niclas</td>
</tr>
<tr>
<td>H&amp;FJ</td>
<td>Hoefler &amp; Frere-Jones [MS_VI]</td>
</tr>
<tr>
<td>HTF</td>
<td>Hoefler Type Foundry, Inc., The [MS_VI]</td>
</tr>
<tr>
<td>HOGAN</td>
<td>Hogan, Thom</td>
</tr>
<tr>
<td>HOLLAND</td>
<td>Holland Fonts</td>
</tr>
<tr>
<td>HOLMS</td>
<td>Holms, Corey</td>
</tr>
<tr>
<td>HOMEG</td>
<td>Homegrown Software</td>
</tr>
<tr>
<td>HORTON</td>
<td>Horton, Bill</td>
</tr>
<tr>
<td>HOTEL</td>
<td>Hotel</td>
</tr>
<tr>
<td>HOUR</td>
<td>Hourglass</td>
</tr>
<tr>
<td>HOUS</td>
<td>House Industries (HI, HOUSE) [MS_VI]</td>
</tr>
<tr>
<td>HOC</td>
<td>House of Cards</td>
</tr>
<tr>
<td>HOE</td>
<td>House of Eraser</td>
</tr>
<tr>
<td>DBL</td>
<td>House of Lime / Design by Lime / Lime</td>
</tr>
<tr>
<td>HSG</td>
<td>HouseStyle Graphics</td>
</tr>
<tr>
<td>HOWELL</td>
<td>Howell, Robert J.</td>
</tr>
<tr>
<td>HPLHS</td>
<td>HP Lovecraft Historical Society (fonts by A. Leman)</td>
</tr>
<tr>
<td>HTE</td>
<td>HT Enterprises / Holden, Ted</td>
</tr>
<tr>
<td>HUMAN</td>
<td>Human Software</td>
</tr>
<tr>
<td>HUSTWIT</td>
<td>Hustwit, Gary</td>
</tr>
<tr>
<td>CASL</td>
<td>HW Caslon &amp; Company Ltd. [MS_VI]</td>
</tr>
<tr>
<td>HWC</td>
<td>HW Caslon and Company Limited</td>
</tr>
<tr>
<td>HYSPACE</td>
<td>Hybrid Space</td>
</tr>
<tr>
<td>HYPERION</td>
<td>HyperIon Graphics</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">I</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>ISTS</td>
<td>I Shot the Serif / Welch, Matthew</td>
</tr>
<tr>
<td>I2D</td>
<td>i2design</td>
</tr>
<tr>
<td>I2F</td>
<td>i2f Inc. / Interactive &amp; Interface Factory</td>
</tr>
<tr>
<td>IBM</td>
<td>IBM [MS_VI]</td>
</tr>
<tr>
<td>ICI</td>
<td>ICI &#8211; Radiateur Fontes</td>
</tr>
<tr>
<td>ICON</td>
<td>Iconian Fonts</td>
</tr>
<tr>
<td>IDAU</td>
<td>IDAutomation.com, Inc. [MS_VI]</td>
</tr>
<tr>
<td>IDEE</td>
<td>IDEE TYPOGRAFICA [MS_VI]</td>
</tr>
<tr>
<td>IDK</td>
<td>Identikal</td>
</tr>
<tr>
<td>IFONT</td>
<td>Ifont</td>
</tr>
<tr>
<td>ILLEGAL</td>
<td>Illegal Industries</td>
</tr>
<tr>
<td>ICG</td>
<td>Image Club Graphics</td>
</tr>
<tr>
<td>IMGINC</td>
<td>ImageLine</td>
</tr>
<tr>
<td>IMM</td>
<td>Immortal Graphics</td>
</tr>
<tr>
<td>IMPR</td>
<td>Impress [MS_VI]</td>
</tr>
<tr>
<td>IVS</td>
<td>In Visible Studio</td>
</tr>
<tr>
<td>INABA</td>
<td>Inaba, Hideki</td>
</tr>
<tr>
<td>ILP</td>
<td>Indigenous Languages Project [MS_VI]</td>
</tr>
<tr>
<td>INDI</td>
<td>Indigest</td>
</tr>
<tr>
<td>INFONTS</td>
<td>InFonts</td>
</tr>
<tr>
<td>II</td>
<td>Information International</td>
</tr>
<tr>
<td>INGO</td>
<td>IngoFonts</td>
</tr>
<tr>
<td>INGRAM</td>
<td>Ingrama</td>
</tr>
<tr>
<td>ING</td>
<td>Ingrimayne Type / Schenk, Robert (RES)</td>
</tr>
<tr>
<td>INRA</td>
<td>INRAY Inc. [MS_VI]</td>
</tr>
<tr>
<td>INSOM</td>
<td>Insomnia</td>
</tr>
<tr>
<td>INSPIRE</td>
<td>Inspire Graphics</td>
</tr>
<tr>
<td>INT</td>
<td>Intecsas</td>
</tr>
<tr>
<td>IFACES</td>
<td>Interfaces</td>
</tr>
<tr>
<td>LEAF</td>
<td>Interleaf, Inc. [MS_VI]</td>
</tr>
<tr>
<td>IDF</td>
<td>International Digital Fonts [MS_VI]</td>
</tr>
<tr>
<td>IHOF</td>
<td>International House of Fonts @ P22</td>
</tr>
<tr>
<td>ITC</td>
<td>International Typeface Corporation</td>
</tr>
<tr>
<td>INVC</td>
<td>Invoice Central [MS_VI]</td>
</tr>
<tr>
<td>IQE</td>
<td>IQ Engineering</td>
</tr>
<tr>
<td>ISE</td>
<td>ISE-Aditi Info. Pvt . Ltd. [MS_VI]</td>
</tr>
<tr>
<td>ISM</td>
<td>ISM</td>
</tr>
<tr>
<td>BRTC</td>
<td>ITSCO &#8211; Bar Code Fonts [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">J</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>JYA</td>
<td>Jack Yan &amp; Associates (JY&amp;A)</td>
</tr>
<tr>
<td>JGJ</td>
<td>Jackson, Jeffrey Glen</td>
</tr>
<tr>
<td>JACOBS</td>
<td>Jacobs, David</td>
</tr>
<tr>
<td>JALLEAU</td>
<td>Jalleau, Frank</td>
</tr>
<tr>
<td>JS</td>
<td>Jason Sutton Design</td>
</tr>
<tr>
<td>JAW</td>
<td>JAW Fonts / Jukebox Fonts (JF, JUKE)</td>
</tr>
<tr>
<td>JBR</td>
<td>J-brain</td>
</tr>
<tr>
<td>JEDI</td>
<td>Jedi Serpant</td>
</tr>
<tr>
<td>AGENTJ</td>
<td>Jenkins, Lisa</td>
</tr>
<tr>
<td>JY</td>
<td>JIYUKOBO Ltd. (JIYU) [MS_VI]</td>
</tr>
<tr>
<td>JM</td>
<td>JM Fonts / Macagba, Jonathan</td>
</tr>
<tr>
<td>JOCH</td>
<td>Jocham, Hubert</td>
</tr>
<tr>
<td>VBOS</td>
<td>Joe Van Der Bos Design</td>
</tr>
<tr>
<td>JA</td>
<td>John Alphonso Design</td>
</tr>
<tr>
<td>FJTY</td>
<td>Jonen, Frank &#8211; Illustration &amp; Typography (JONEN) [MS_VI]</td>
</tr>
<tr>
<td>JAF</td>
<td>Just Another Foundry [MS_VI]</td>
</tr>
<tr>
<td>JUST</td>
<td>Justified Type (JC)</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">K</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>KANNA</td>
<td>Kanna, Aoki</td>
</tr>
<tr>
<td>KT</td>
<td>Kappa Type</td>
</tr>
<tr>
<td>KF</td>
<td>Karakta Fonthome [MS_VI]</td>
</tr>
<tr>
<td>KARE</td>
<td>Kare, Susan</td>
</tr>
<tr>
<td>KAS</td>
<td>Kaszonyi, Brian &amp; Peter</td>
</tr>
<tr>
<td>KAT</td>
<td>Kat&#8217;s Fun Fonts</td>
</tr>
<tr>
<td>KG</td>
<td>Katz Graphics</td>
</tr>
<tr>
<td>KEEDY</td>
<td>Keedy, Jeffery</td>
</tr>
<tr>
<td>KGD</td>
<td>Keener Graphics Design</td>
</tr>
<tr>
<td>KEMP</td>
<td>Kemp, Carol</td>
</tr>
<tr>
<td>KESSELS</td>
<td>Kessels, Sander</td>
</tr>
<tr>
<td>KEY</td>
<td>Keystrokes</td>
</tr>
<tr>
<td>KICK</td>
<td>Kick Fonts</td>
</tr>
<tr>
<td>KILLER</td>
<td>Killer Fonts</td>
</tr>
<tr>
<td>PKING</td>
<td>King, Patric</td>
</tr>
<tr>
<td>KATF</td>
<td>Kingsley / ATF [MS_VI]</td>
</tr>
<tr>
<td>KIRIE</td>
<td>Kirie Font</td>
</tr>
<tr>
<td>KIS</td>
<td>Kisman, Max</td>
</tr>
<tr>
<td>KITA</td>
<td>Kita, Yoshika</td>
</tr>
<tr>
<td>KIWI</td>
<td>Kiwi Media</td>
</tr>
<tr>
<td>KIZA</td>
<td>Kiza</td>
</tr>
<tr>
<td>KLEIN</td>
<td>Klein, Manfred</td>
</tr>
<tr>
<td>KLIM</td>
<td>Klim Typographic Design [MS_VI]</td>
</tr>
<tr>
<td>KLI</td>
<td>Klingon Language Institute</td>
</tr>
<tr>
<td>KLUDO</td>
<td>Kludo Studios</td>
</tr>
<tr>
<td>KMORT</td>
<td>Kmort</td>
</tr>
<tr>
<td>KOBAL</td>
<td>Kobal Software</td>
</tr>
<tr>
<td>KOTHAY</td>
<td>Kothay, Gabor</td>
</tr>
<tr>
<td>KOTTKE</td>
<td>Kottke, Jason</td>
</tr>
<tr>
<td>KRUGER</td>
<td>Krnger, Carlo</td>
</tr>
<tr>
<td>KROEG</td>
<td>Kroeger</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">L</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>LABE</td>
<td>l&#8217;Abecedarienne</td>
</tr>
<tr>
<td>LADYS</td>
<td>Lady Sara</td>
</tr>
<tr>
<td>LAGAR</td>
<td>Lagartija Designo</td>
</tr>
<tr>
<td>ASV</td>
<td>Lakhar, Ahmed</td>
</tr>
<tr>
<td>LANG</td>
<td>Lang, Paul</td>
</tr>
<tr>
<td>LANGE</td>
<td>Lange, G. G.</td>
</tr>
<tr>
<td>LANS</td>
<td>Lanston Type Company (LT, LTC) [MS_VI]</td>
</tr>
<tr>
<td>LAPORT</td>
<td>Laport, Sue</td>
</tr>
<tr>
<td>LARA</td>
<td>Larabie Fonts / Larabie, Ray (LAR) [MS_VI]</td>
</tr>
<tr>
<td>LASERM</td>
<td>LaserMaster Corp.</td>
</tr>
<tr>
<td>LASERP</td>
<td>LaserPerfect Fonts</td>
</tr>
<tr>
<td>LAUD</td>
<td>Laudon, Carolina [MS_VI]</td>
</tr>
<tr>
<td>LAWND</td>
<td>Lawn Dart</td>
</tr>
<tr>
<td>LCR</td>
<td>Le Chef Rene / Miller, Rene</td>
</tr>
<tr>
<td>LT</td>
<td>Le Typophage [MS_VI]</td>
</tr>
<tr>
<td>LEAD</td>
<td>Lead Type</td>
</tr>
<tr>
<td>LEE</td>
<td>Lee, Jeff</td>
</tr>
<tr>
<td>JSL</td>
<td>Lee, Jeffrey S.</td>
</tr>
<tr>
<td>LEK</td>
<td>Lekrummet / UltraBoy</td>
</tr>
<tr>
<td>LEON</td>
<td>Leonardi, Alessio</td>
</tr>
<tr>
<td>LETR</td>
<td>Letraset (LET, LETRA) [MS_VI]</td>
</tr>
<tr>
<td>DF</td>
<td>Letraset DesignFont</td>
</tr>
<tr>
<td>LHF</td>
<td>Letterhead Fonts (LETTH) [MS_VI]</td>
</tr>
<tr>
<td>LETDEL</td>
<td>Lettering Delights</td>
</tr>
<tr>
<td>LP</td>
<td>LetterPerfect Fonts (LETTP) [MS_VI]</td>
</tr>
<tr>
<td>LTTR</td>
<td>LettError (LTR) [MS_VI]</td>
</tr>
<tr>
<td>LEVINE</td>
<td>Levine, Jeff</td>
</tr>
<tr>
<td>LTWT</td>
<td>Light Weight Fonts</td>
</tr>
<tr>
<td>LTRX</td>
<td>LightTracks [MS_VI]</td>
</tr>
<tr>
<td>LILLIE</td>
<td>Lillie, Patricia</td>
</tr>
<tr>
<td>PLIL</td>
<td>Lillie, Patricia</td>
</tr>
<tr>
<td>LIN</td>
<td>Lin, Eric</td>
</tr>
<tr>
<td>LIND</td>
<td>Lindkvist, Andreas</td>
</tr>
<tr>
<td>LINETO</td>
<td>Lineto Fonts</td>
</tr>
<tr>
<td>LING</td>
<td>Linguist&#8217;s Software (LS, LINGS) [MS_VI]</td>
</tr>
<tr>
<td>LINO</td>
<td>Linotype (LL) [MS_VI]</td>
</tr>
<tr>
<td>LH</td>
<td>Linotype-Hell</td>
</tr>
<tr>
<td>LD</td>
<td>Lions Den International</td>
</tr>
<tr>
<td>LIPTON</td>
<td>Lipton, Richard</td>
</tr>
<tr>
<td>LIVE</td>
<td>LiveDesign Studio [MS_VI]</td>
</tr>
<tr>
<td>LIV</td>
<td>Living Font</td>
</tr>
<tr>
<td>LLOYD</td>
<td>Lloyd, Paul J.</td>
</tr>
<tr>
<td>LMNO</td>
<td>LMNo Designs</td>
</tr>
<tr>
<td>LOCHU</td>
<td>Lochu, Jean</td>
</tr>
<tr>
<td>LGX</td>
<td>Logix Research Institute Inc. [MS_VI]</td>
</tr>
<tr>
<td>LOHN</td>
<td>Lohner, Harold / Harold&#8217;s Fonts (HAR)</td>
</tr>
<tr>
<td>LONDON</td>
<td>London Underground</td>
</tr>
<tr>
<td>LSTAR</td>
<td>Lone Star Fonts</td>
</tr>
<tr>
<td>LORVAD</td>
<td>LORVAD Fonts / Printers Devil</td>
</tr>
<tr>
<td>LSC</td>
<td>Lubalin, Smith, Carnase</td>
</tr>
<tr>
<td>LUBBERS</td>
<td>Lubbers, Mark</td>
</tr>
<tr>
<td>LUFO</td>
<td>LucasFonts (LUCAS) [MS_VI]</td>
</tr>
<tr>
<td>LUD</td>
<td>Ludlow [MS_VI]</td>
</tr>
<tr>
<td>KLTF</td>
<td>Luecke, Karsten [MS_VI]</td>
</tr>
<tr>
<td>LUNCH</td>
<td>Lunchbox Design (LB)</td>
</tr>
<tr>
<td>LUST</td>
<td>LUST Fonts</td>
</tr>
<tr>
<td>LUTEYN</td>
<td>Luteyn, Roger</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">M</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>MMFT</td>
<td>M., Michel [MS_VI]</td>
</tr>
<tr>
<td>MACART</td>
<td>MacArtist</td>
</tr>
<tr>
<td>MACG</td>
<td>MacGregor, Chris</td>
</tr>
<tr>
<td>MACR</td>
<td>Macromedia [MS_VI]</td>
</tr>
<tr>
<td>MACRON</td>
<td>Macron Limited</td>
</tr>
<tr>
<td>MADT</td>
<td>MADType (MAD) [MS_VI]</td>
</tr>
<tr>
<td>MF</td>
<td>Magic Fonts [MS_VI]</td>
</tr>
<tr>
<td>MAGNUM</td>
<td>Magnum Collection</td>
</tr>
<tr>
<td>MONB</td>
<td>Mahdavi, Monib [MS_VI]</td>
</tr>
<tr>
<td>MAJOOR</td>
<td>Majoor, Martin</td>
</tr>
<tr>
<td>MJR</td>
<td>Majur Inc. [MS_VI]</td>
</tr>
<tr>
<td>MSCR</td>
<td>Majus Corporation (MAJUS, MJ) [MS_VI]</td>
</tr>
<tr>
<td>MAKELA</td>
<td>Makela, P. Scott</td>
</tr>
<tr>
<td>MNCHIP</td>
<td>Manchip, Jasper</td>
</tr>
<tr>
<td>MAN</td>
<td>Manhattan Type</td>
</tr>
<tr>
<td>MANIAC</td>
<td>Maniackers Design (MAN)</td>
</tr>
<tr>
<td>MANN</td>
<td>Mann, Scott</td>
</tr>
<tr>
<td>MARCUS</td>
<td>Marcus, Jim</td>
</tr>
<tr>
<td>LM</td>
<td>Marie, Lisa</td>
</tr>
<tr>
<td>MARISCAL</td>
<td>Mariscal, Chavi</td>
</tr>
<tr>
<td>MARI</td>
<td>Marishalchi, George</td>
</tr>
<tr>
<td>MARQ</td>
<td>Marquinez, Iñaki</td>
</tr>
<tr>
<td>MWT</td>
<td>Martin Wait Type</td>
</tr>
<tr>
<td>MFNT</td>
<td>Masterfont [MS_VI]</td>
</tr>
<tr>
<td>MATS</td>
<td>Match Fonts (MATCH, MF) [MS_VI]</td>
</tr>
<tr>
<td>MATHES</td>
<td>Matheson, John</td>
</tr>
<tr>
<td>MATTES</td>
<td>Matteson, Steve</td>
</tr>
<tr>
<td>MAYLETT</td>
<td>Maylett, Cory</td>
</tr>
<tr>
<td>MDMAL</td>
<td>MD Malarky Fonts / Mural Division</td>
</tr>
<tr>
<td>MEANW</td>
<td>Meanworks / Nossek, André</td>
</tr>
<tr>
<td>MECA</td>
<td>Mecanorma (MN)</td>
</tr>
<tr>
<td>MEDE</td>
<td>Mededovic, Ermin</td>
</tr>
<tr>
<td>MEGA</td>
<td>MEGAfonts</td>
</tr>
<tr>
<td>MEHAL</td>
<td>Mehallo, Steve</td>
</tr>
<tr>
<td>MERL</td>
<td>Merlout, Alexis</td>
</tr>
<tr>
<td>MONE</td>
<td>Meta One [MS_VI]</td>
</tr>
<tr>
<td>META</td>
<td>MetaDesign (BVG)</td>
</tr>
<tr>
<td>MM</td>
<td>Metamorphosis</td>
</tr>
<tr>
<td>MGM</td>
<td>MGM Designs</td>
</tr>
<tr>
<td>MICMAC</td>
<td>Micmac Artworks</td>
</tr>
<tr>
<td>TMF</td>
<td>MicroFoundry, The [MS_VI]</td>
</tr>
<tr>
<td>MLGC</td>
<td>Micrologic Software [MS_VI]</td>
</tr>
<tr>
<td>MS</td>
<td>Microsoft Corp. [MS_VI]</td>
</tr>
<tr>
<td>MILES</td>
<td>Miles Inc.</td>
</tr>
<tr>
<td>MILL</td>
<td>Millan Fonts (MILLAN) [MS_VI]</td>
</tr>
<tr>
<td>AMILL</td>
<td>Miller, A.</td>
</tr>
<tr>
<td>CANDY</td>
<td>MindCandy</td>
</tr>
<tr>
<td>MINIF</td>
<td>Minifont</td>
</tr>
<tr>
<td>MINOW</td>
<td>Minow, Charles</td>
</tr>
<tr>
<td>MISCH</td>
<td>Mischstab</td>
</tr>
<tr>
<td>MIS</td>
<td>Misprinted Type</td>
</tr>
<tr>
<td>BLAH</td>
<td>Mister Bla&#8217;s Fontworx [MS_VI]</td>
</tr>
<tr>
<td>MODI</td>
<td>Modular Infotech Private Limited. [MS_VI]</td>
</tr>
<tr>
<td>MONO</td>
<td>Monotype Imaging (M, MT) [MS_VI]</td>
</tr>
<tr>
<td>MOON</td>
<td>Moonlight Type and Technology [MS_VI]</td>
</tr>
<tr>
<td>MRV</td>
<td>Morovia Corporation [MS_VI]</td>
</tr>
<tr>
<td>MTURT</td>
<td>Mortal Turtle Foundry</td>
</tr>
<tr>
<td>MTY</td>
<td>Motoya Co. ,LTD. [MS_VI]</td>
</tr>
<tr>
<td>MLS</td>
<td>Mountain Lake Software</td>
</tr>
<tr>
<td>MCOW</td>
<td>Mountaincow [MS_VI]</td>
</tr>
<tr>
<td>MRFRENCH</td>
<td>Mr. French</td>
</tr>
<tr>
<td>0243</td>
<td>MR.FISK&#8217;s FONTEX (MRFISK) [MS_VI]</td>
</tr>
<tr>
<td>MSE</td>
<td>MSE-iT [MS_VI]</td>
</tr>
<tr>
<td>MUELLER</td>
<td>Mueller, Richard W.</td>
</tr>
<tr>
<td>ML</td>
<td>Multilingual Solutions</td>
</tr>
<tr>
<td>MUNCH</td>
<td>MunchFonts / Gary Munch (GM)</td>
</tr>
<tr>
<td>MUNICH</td>
<td>MunichType</td>
</tr>
<tr>
<td>MUNK</td>
<td>Munk, Kenn</td>
</tr>
<tr>
<td>MUTF</td>
<td>Murasu Systems Sdn. Bhd [MS_VI]</td>
</tr>
<tr>
<td>MYFO</td>
<td>MyFonts.com [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">N</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>FE-RAG</td>
<td>N8Bhr8de, Fe=rag</td>
</tr>
<tr>
<td>NAGEL</td>
<td>Nag, El</td>
</tr>
<tr>
<td>NDC</td>
<td>NDC Web Design</td>
</tr>
<tr>
<td>NEAVEILL</td>
<td>Neaveill, R.</td>
</tr>
<tr>
<td>NEC</td>
<td>NEC Corporation [MS_VI]</td>
</tr>
<tr>
<td>NENDO</td>
<td>Nendo Graphixxx</td>
</tr>
<tr>
<td>NSI</td>
<td>NeoScribe International</td>
</tr>
<tr>
<td>NERF</td>
<td>Nerfect Worldwide</td>
</tr>
<tr>
<td>NDTC</td>
<td>Neufville Digital (NEUF) [MS_VI]</td>
</tr>
<tr>
<td>NEUTRON</td>
<td>neutron.omni.media</td>
</tr>
<tr>
<td>NEWFORM</td>
<td>New Forms</td>
</tr>
<tr>
<td>NEW</td>
<td>NewFonts</td>
</tr>
<tr>
<td>NEWLIN</td>
<td>Newlin, Miles</td>
</tr>
<tr>
<td>101!</td>
<td>Nght Place / Griffin, Gregory J.</td>
</tr>
<tr>
<td>NIC</td>
<td>NicBhride, Fe</td>
</tr>
<tr>
<td>NICH</td>
<td>Nicholson, Joe</td>
</tr>
<tr>
<td>NICK</td>
<td>Nick&#8217;s Fonts / Curtis, Nick (NC, CURTIS) [MS_VI]</td>
</tr>
<tr>
<td>DSST</td>
<td>Nikolay, Dubina [MS_VI]</td>
</tr>
<tr>
<td>NX</td>
<td>NIMX Type (NIMX)</td>
</tr>
<tr>
<td>NINEUIL</td>
<td>Nineuil, Oliver</td>
</tr>
<tr>
<td>NIS</td>
<td>NIS Corporation [MS_VI]</td>
</tr>
<tr>
<td>NB</td>
<td>No Bodoni Typography [MS_VI]</td>
</tr>
<tr>
<td>NORF</td>
<td>Norfok Incredible Font Design (NORFOK) [MS_VI]</td>
</tr>
<tr>
<td>NORI</td>
<td>Norico&#8217;s Motion Studio</td>
</tr>
<tr>
<td>NPL</td>
<td>Norton Photosetting Ltd. (NORT)</td>
</tr>
<tr>
<td>NOVAD</td>
<td>Nova Design</td>
</tr>
<tr>
<td>ANOVA</td>
<td>Novarese, Aldo</td>
</tr>
<tr>
<td>NOVA</td>
<td>NOVATYPE [MS_VI]</td>
</tr>
<tr>
<td>NOVEL</td>
<td>Novel Fonts Corp (NV)</td>
</tr>
<tr>
<td>NUTRA</td>
<td>Nutrasweet</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">O</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>WOLFF</td>
<td>Olins, Wolff</td>
</tr>
<tr>
<td>OLIVE</td>
<td>Olive, Marcel / Fonderie Olive</td>
</tr>
<tr>
<td>CONTE</td>
<td>Oliver Conte Design</td>
</tr>
<tr>
<td>OMEGA</td>
<td>Omega Font Labs</td>
</tr>
<tr>
<td>OMNI</td>
<td>Omnibus Typografi</td>
</tr>
<tr>
<td>OWO</td>
<td>One Way Out</td>
</tr>
<tr>
<td>OPTI</td>
<td>OPTIfont / CastCraft</td>
</tr>
<tr>
<td>OPTIMO</td>
<td>Optimo</td>
</tr>
<tr>
<td>OPU</td>
<td>Opulux Fonts</td>
</tr>
<tr>
<td>ORANGE</td>
<td>Orange Fonts by Ray Larabie</td>
</tr>
<tr>
<td>OFLUX</td>
<td>OrangeFlux</td>
</tr>
<tr>
<td>ORBI</td>
<td>Orbit Enterprises, Inc. [MS_VI]</td>
</tr>
<tr>
<td>ORTL</td>
<td>Ortiz-Lopez, Dennis (OL)</td>
</tr>
<tr>
<td>OUR</td>
<td>OurType (www.ourtype.com)</td>
</tr>
<tr>
<td>OTL</td>
<td>Outside the Line http://www.outside-the-line.com</td>
</tr>
<tr>
<td>O!P!</td>
<td>Ouvrez!Police!</td>
</tr>
<tr>
<td>OWEN</td>
<td>Owen, Andre</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">P</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>P22</td>
<td>P22 Inc. [MS_VI]</td>
</tr>
<tr>
<td>PACE</td>
<td>Pacella, Vincent</td>
</tr>
<tr>
<td>PSG</td>
<td>Page Studio Graphics (PAGE)</td>
</tr>
<tr>
<td>PTMI</td>
<td>Page Technology Marketing, Inc. (ATEC) [MS_VI]</td>
</tr>
<tr>
<td>PAN</td>
<td>Panache Typography (PN)</td>
</tr>
<tr>
<td>PEF</td>
<td>Parakeet/ef</td>
</tr>
<tr>
<td>PARA</td>
<td>ParaType Inc. (PRT) [MS_VI]</td>
</tr>
<tr>
<td>PARK</td>
<td>Parkinson, Jim</td>
</tr>
<tr>
<td>PDWX</td>
<td>Parsons Design Workx / Carolyn Parsons [MS_VI]</td>
</tr>
<tr>
<td>PARSONS</td>
<td>Parsons, Jason</td>
</tr>
<tr>
<td>VKP</td>
<td>Patel, Vijay K. [MS_VI]</td>
</tr>
<tr>
<td>PAT</td>
<td>Paterson, Jonathon</td>
</tr>
<tr>
<td>PATT</td>
<td>Patterson, Ian</td>
</tr>
<tr>
<td>PELL</td>
<td>Pelletier, Claude</td>
</tr>
<tr>
<td>PENGUIN</td>
<td>Penguin Productions</td>
</tr>
<tr>
<td>PENSTF</td>
<td>Pensword Type Foundry</td>
</tr>
<tr>
<td>PERRET</td>
<td>Perret, Andre</td>
</tr>
<tr>
<td>PFONT</td>
<td>P-Font</td>
</tr>
<tr>
<td>PHATHAUS</td>
<td>PhatHaus</td>
</tr>
<tr>
<td>PKDD</td>
<td>Philip Kelly Digital Design [MS_VI]</td>
</tr>
<tr>
<td>RYP</td>
<td>Phillips, Robyn</td>
</tr>
<tr>
<td>PF</td>
<td>Phil&#8217;s Fonts, Inc. (PHIL) [MS_VI]</td>
</tr>
<tr>
<td>AU</td>
<td>Phils Photo</td>
</tr>
<tr>
<td>PHOEPOP</td>
<td>Phoenix Pop Design</td>
</tr>
<tr>
<td>PHOE</td>
<td>Phoenix, Woodrow</td>
</tr>
<tr>
<td>PHONT</td>
<td>Phont Typographics</td>
</tr>
<tr>
<td>PHOTO</td>
<td>PhotoLettering Inc. (PL)</td>
</tr>
<tr>
<td>PIANO</td>
<td>Piano, Pelle</td>
</tr>
<tr>
<td>CLAUDIO</td>
<td>Piccinini, Claudio</td>
</tr>
<tr>
<td>PIZZA</td>
<td>Pizzadude (PD)</td>
</tr>
<tr>
<td>PLANET</td>
<td>Planet, Matt</td>
</tr>
<tr>
<td>PLAT</td>
<td>PLATINUM technology [MS_VI]</td>
</tr>
<tr>
<td>PLAZM</td>
<td>Plazm Media Inc.</td>
</tr>
<tr>
<td>CAK</td>
<td>pluginfonts.com [MS_VI]</td>
</tr>
<tr>
<td>+ISM</td>
<td>Plusism</td>
</tr>
<tr>
<td>POLY</td>
<td>Polytype (PT)</td>
</tr>
<tr>
<td>POMER</td>
<td>Pomeroy, Ann</td>
</tr>
<tr>
<td>PTF</td>
<td>Porchez Typofonderie [MS_VI]</td>
</tr>
<tr>
<td>POSI</td>
<td>Positype</td>
</tr>
<tr>
<td>POULSON</td>
<td>Poulson, Bradley</td>
</tr>
<tr>
<td>PRE</td>
<td>Precision Type</td>
</tr>
<tr>
<td>PREMO</td>
<td>Premonition</td>
</tr>
<tr>
<td>PRES</td>
<td>Presence Typo</td>
</tr>
<tr>
<td>PTYP</td>
<td>PreussTYPE [MS_VI]</td>
</tr>
<tr>
<td>PRILL</td>
<td>Prillinger, Horst</td>
</tr>
<tr>
<td>PRI</td>
<td>Prima Fonts</td>
</tr>
<tr>
<td>PROC</td>
<td>Process Type (PROCESS)</td>
</tr>
<tr>
<td>PRFS</td>
<td>Production First Software (PF) [MS_VI]</td>
</tr>
<tr>
<td>PROTO.T</td>
<td>Proto Type</td>
</tr>
<tr>
<td>PFD</td>
<td>Prototype AUS</td>
</tr>
<tr>
<td>P21</td>
<td>Prototype21</td>
</tr>
<tr>
<td>PROTO</td>
<td>Prototype-NY</td>
</tr>
<tr>
<td>PRUE</td>
<td>Prue, Paul</td>
</tr>
<tr>
<td>PSY</td>
<td>PSY/OPS Type [MS_VI]</td>
</tr>
<tr>
<td>PSYB</td>
<td>Psyborg / Psy Zo Lab / Nishida, Hirofumi</td>
</tr>
<tr>
<td>PP</td>
<td>Publisher&#8217;s Paradise</td>
</tr>
<tr>
<td>PW</td>
<td>Pulsewidth</td>
</tr>
<tr>
<td>PE</td>
<td>Purup Electronics</td>
</tr>
<tr>
<td>PUTNAM</td>
<td>Putnam, Austin</td>
</tr>
<tr>
<td>PYRS</td>
<td>Pyrus [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">Q</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>QMSI</td>
<td>QMS/Imagen [MS_VI]</td>
</tr>
<tr>
<td>QRAT</td>
<td>Quadrat Communications (QUAD) [MS_VI]</td>
</tr>
<tr>
<td>QT</td>
<td>QualiType (QUAL)</td>
</tr>
<tr>
<td>QBF</td>
<td>Quick Brown Fox</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">R</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>RRDON</td>
<td>R.R. Donnelley &amp; Sons</td>
</tr>
<tr>
<td>RAD</td>
<td>Radiateur Fontes</td>
</tr>
<tr>
<td>RAILF</td>
<td>RailFonts</td>
</tr>
<tr>
<td>RAIL</td>
<td>RAILhead Design</td>
</tr>
<tr>
<td>RAK</td>
<td>Rakowski, David</td>
</tr>
<tr>
<td>RAND</td>
<td>Rand, Wes</td>
</tr>
<tr>
<td>918</td>
<td>RavenType [MS_VI]</td>
</tr>
<tr>
<td>RAW</td>
<td>Rawtypes / Burlile, Marcus</td>
</tr>
<tr>
<td>RJPS</td>
<td>Reall Graphics [MS_VI]</td>
</tr>
<tr>
<td>RS</td>
<td>Reasonable Solutions</td>
</tr>
<tr>
<td>REDEYE</td>
<td>Red Eye Type</td>
</tr>
<tr>
<td>RED</td>
<td>Red Foundry Nazi-Y</td>
</tr>
<tr>
<td>REDHEN</td>
<td>Red Hen Enterprises</td>
</tr>
<tr>
<td>RRT</td>
<td>Red Rooster Collection / ITF Inc. (ITF, RR) [MS_VI]</td>
</tr>
<tr>
<td>REDBIK</td>
<td>Redbikini Design</td>
</tr>
<tr>
<td>R/D</td>
<td>Redon, Michel &amp; Demoriane, Denis Patouillard</td>
</tr>
<tr>
<td>REMPEL</td>
<td>Rempel, Peter</td>
</tr>
<tr>
<td>RENTSCH</td>
<td>Rentsch, Jeff</td>
</tr>
<tr>
<td>REP</td>
<td>Replikette</td>
</tr>
<tr>
<td>RICHARD</td>
<td>Richards, Thomas</td>
</tr>
<tr>
<td>LOUNGE</td>
<td>Richardson, Errol</td>
</tr>
<tr>
<td>RICK</td>
<td>Rickner, Tom</td>
</tr>
<tr>
<td>RICOH</td>
<td>Ricoh</td>
</tr>
<tr>
<td>GARI</td>
<td>Ritchie, Gary [MS_VI]</td>
</tr>
<tr>
<td>EDGE</td>
<td>Rivers Edge Corp. [MS_VI]</td>
</tr>
<tr>
<td>RKFN</td>
<td>RK Fonts [MS_VI]</td>
</tr>
<tr>
<td>RL</td>
<td>Robert Leuschke Graphic Design</td>
</tr>
<tr>
<td>ROBERT</td>
<td>Robertson, Harry</td>
</tr>
<tr>
<td>RAF</td>
<td>Robotic Attack Fonts (ROBO)</td>
</tr>
<tr>
<td>ROGERS</td>
<td>Rogers, Henry</td>
</tr>
<tr>
<td>TIMR</td>
<td>Rolands, Tim (ROL) [MS_VI]</td>
</tr>
<tr>
<td>TIMO</td>
<td>Romano, Tim [MS_VI]</td>
</tr>
<tr>
<td>VROM</td>
<td>Romanov, Vladimir [MS_VI]</td>
</tr>
<tr>
<td>R237</td>
<td>Room 237</td>
</tr>
<tr>
<td>RD</td>
<td>Roots Design</td>
</tr>
<tr>
<td>ROSC</td>
<td>Roscoe, Kurt</td>
</tr>
<tr>
<td>ROSE</td>
<td>Roseman, Dan</td>
</tr>
<tr>
<td>ROSS</td>
<td>Ross, David</td>
</tr>
<tr>
<td>ROTO</td>
<td>Rotodesign / Broderick, Patrick</td>
</tr>
<tr>
<td>ROTOR</td>
<td>ROTORtype</td>
</tr>
<tr>
<td>ROWLETT</td>
<td>Rowlett, Russ</td>
</tr>
<tr>
<td>ROYALT</td>
<td>RoyalTech Design</td>
</tr>
<tr>
<td>RS125</td>
<td>RS Font Works / RS125 / Sato, Ryosuke</td>
</tr>
<tr>
<td>RUBICON</td>
<td>Rubicon Computer Labs</td>
</tr>
<tr>
<td>RUDE</td>
<td>Rude Lizard / Pleskow, Jeni</td>
</tr>
<tr>
<td>RUDY</td>
<td>RudynFluffy [MS_VI]</td>
</tr>
<tr>
<td>RYOB</td>
<td>Ryobi Limited [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">S</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>SAX</td>
<td>s.a.x. Software gmbh [MS_VI]</td>
</tr>
<tr>
<td>SRG</td>
<td>S°rgren, Paul</td>
</tr>
<tr>
<td>SA7AN</td>
<td>Sa7an Type</td>
</tr>
<tr>
<td>SACNIP</td>
<td>Sacred Nipple</td>
</tr>
<tr>
<td>MEIR</td>
<td>Sadan, Meir [MS_VI]</td>
</tr>
<tr>
<td>SALAZ</td>
<td>Salazar, Santiago (Jim)</td>
</tr>
<tr>
<td>SALIK</td>
<td>Salik &amp; Associates</td>
</tr>
<tr>
<td>SALU</td>
<td>Salucoro, Mizutani</td>
</tr>
<tr>
<td>SAM</td>
<td>Sammy Foundry</td>
</tr>
<tr>
<td>SANDER</td>
<td>Sander, E.</td>
</tr>
<tr>
<td>SAND</td>
<td>Sandoll Type (SANDOLL) [MS_VI]</td>
</tr>
<tr>
<td>SANS1</td>
<td>SANS 1 Studios</td>
</tr>
<tr>
<td>SS1</td>
<td>SANS 1 Studios</td>
</tr>
<tr>
<td>SFS</td>
<td>Sarumadhu Services Pvt. Ltd. [MS_VI]</td>
</tr>
<tr>
<td>SCAN</td>
<td>Scangraphic (SG)</td>
</tr>
<tr>
<td>SCANJAM</td>
<td>Scanjam Design Co.</td>
</tr>
<tr>
<td>SCG</td>
<td>ScenoGrafica</td>
</tr>
<tr>
<td>SCHRAU</td>
<td>Schrauzer, Michael</td>
</tr>
<tr>
<td>SCHU</td>
<td>Schumacher, Deter</td>
</tr>
<tr>
<td>SCHWARTZ</td>
<td>Schwartz, Christian</td>
</tr>
<tr>
<td>SCOBIE</td>
<td>Scobie, Trevor</td>
</tr>
<tr>
<td>SG</td>
<td>Scooter Graphics / Marty Pfeiffer (PFEIF) [MS_VI]</td>
</tr>
<tr>
<td>SCR</td>
<td>Scriptorium / FontCraft (SCRIPT)</td>
</tr>
<tr>
<td>ARNETT</td>
<td>Sean Arnett Type Foundry</td>
</tr>
<tr>
<td>SEDORE</td>
<td>Sedore, Vaughn</td>
</tr>
<tr>
<td>SBT</td>
<td>SelfBuild Type Foundry (SELF) [MS_VI]</td>
</tr>
<tr>
<td>SELL</td>
<td>Sellebrsten, Niclas</td>
</tr>
<tr>
<td>SERIAL</td>
<td>Serials Designer Collection</td>
</tr>
<tr>
<td>SHAFT</td>
<td>Shaft, The</td>
</tr>
<tr>
<td>SHAM</td>
<td>ShamFonts / Shamrock Int. [MS_VI]</td>
</tr>
<tr>
<td>SHWD</td>
<td>Sherwood Type / P22</td>
</tr>
<tr>
<td>SHFT</td>
<td>Shift (SHIFT, SHFTYPE) [MS_VI]</td>
</tr>
<tr>
<td>SHINN</td>
<td>Shinn, Nick (SHN)</td>
</tr>
<tr>
<td>ISIS</td>
<td>Shrine Of Isis / Isis Font Foudry</td>
</tr>
<tr>
<td>SF</td>
<td>ShyFonts (SHY)</td>
</tr>
<tr>
<td>SIEGEL</td>
<td>Siegel, David</td>
</tr>
<tr>
<td>SIG</td>
<td>Signature Software, Inc. [MS_VI]</td>
</tr>
<tr>
<td>DNA</td>
<td>SignDNA (SignDNA)</td>
</tr>
<tr>
<td>SIL</td>
<td>SIL International [MS_VI]</td>
</tr>
<tr>
<td>SL</td>
<td>Silesian Letters [MS_VI]</td>
</tr>
<tr>
<td>SILVER</td>
<td>Silver Graphics (SVG)</td>
</tr>
<tr>
<td>SIMON</td>
<td>Simoncini SA / Simoncini, Francesco</td>
</tr>
<tr>
<td>MSI</td>
<td>Simonson, Mark</td>
</tr>
<tr>
<td>SINN</td>
<td>Sinnebild / Olsson&#8217;s Fonts / Olsson, Torbjörn</td>
</tr>
<tr>
<td>SKAPA</td>
<td>Skapa Publishing</td>
</tr>
<tr>
<td>SKEL</td>
<td>Skeldale House Treasures</td>
</tr>
<tr>
<td>SLUDGE</td>
<td>Sludge Puppy Typeworks</td>
</tr>
<tr>
<td>SMARTD</td>
<td>SmartDust / Atomic Media</td>
</tr>
<tr>
<td>SMEL</td>
<td>Smeltry Fons</td>
</tr>
<tr>
<td>SMILE</td>
<td>Smile Studio (SS)</td>
</tr>
<tr>
<td>SMOKD</td>
<td>Smoking Drum</td>
</tr>
<tr>
<td>NEBI</td>
<td>Societa Nebiolo</td>
</tr>
<tr>
<td>SOHO</td>
<td>Soft Horizons (SH, SOFT) [MS_VI]</td>
</tr>
<tr>
<td>SMC</td>
<td>Software of the Month Club</td>
</tr>
<tr>
<td>SS</td>
<td>Software Shop</td>
</tr>
<tr>
<td>SFUN</td>
<td>Software Union [MS_VI]</td>
</tr>
<tr>
<td>SH</td>
<td>SoHo</td>
</tr>
<tr>
<td>SOKRA</td>
<td>SokraType</td>
</tr>
<tr>
<td>SOLAR</td>
<td>Solar Sister</td>
</tr>
<tr>
<td>SOLO</td>
<td>Solotype Typographers</td>
</tr>
<tr>
<td>SOPH</td>
<td>Sophtecks / Bauchop, Alan</td>
</tr>
<tr>
<td>SOP</td>
<td>Sound of Print</td>
</tr>
<tr>
<td>SN</td>
<td>SourceNet [MS_VI]</td>
</tr>
<tr>
<td>SSI</td>
<td>Southern Software Inc. (SSK)</td>
</tr>
<tr>
<td>SPARKY</td>
<td>Sparky type</td>
</tr>
<tr>
<td>SPAZ</td>
<td>Spaz</td>
</tr>
<tr>
<td>SPIECE</td>
<td>Spiece Graphics (SG, GR)</td>
</tr>
<tr>
<td>STAHL</td>
<td>Stahl, Robert P.</td>
</tr>
<tr>
<td>SOS</td>
<td>Standing Ovations Software [MS_VI]</td>
</tr>
<tr>
<td>STAN</td>
<td>Starbuck, Stan / Stan&#8217;s Fonts</td>
</tr>
<tr>
<td>STC</td>
<td>STC Practik (Russia)</td>
</tr>
<tr>
<td>STEREO</td>
<td>StereoType</td>
</tr>
<tr>
<td>STER</td>
<td>Sterling Court</td>
</tr>
<tr>
<td>STICK</td>
<td>Stickfonts</td>
</tr>
<tr>
<td>STIM</td>
<td>StimulEye Fonts</td>
</tr>
<tr>
<td>STIP</td>
<td>STiP Fonts</td>
</tr>
<tr>
<td>STYP</td>
<td>Stone Type Foundry (STF) [MS_VI]</td>
</tr>
<tr>
<td>STOR</td>
<td>Storm Type Foundry (ST, STORM) [MS_VI]</td>
</tr>
<tr>
<td>STARC</td>
<td>Studio Archigraph</td>
</tr>
<tr>
<td>FMFO</td>
<td>Studio Liddell Graphic Design [MS_VI]</td>
</tr>
<tr>
<td>STUDIOM</td>
<td>Studio Media</td>
</tr>
<tr>
<td>STD</td>
<td>Stylus Digital Typography</td>
</tr>
<tr>
<td>STYLUS</td>
<td>Stylus Lettering</td>
</tr>
<tr>
<td>SUBG</td>
<td>SubGenious Foundation</td>
</tr>
<tr>
<td>SUD</td>
<td>Sudtypo</td>
</tr>
<tr>
<td>SUITC</td>
<td>Suitcase</td>
</tr>
<tr>
<td>SILING</td>
<td>Summer Inst. Of Linguistics</td>
</tr>
<tr>
<td>SIT</td>
<td>Summit Information Technologies Pvt.Ltd, [MS_VI]</td>
</tr>
<tr>
<td>SUNW</td>
<td>Sunwalk fontworks (SUNWALK) [MS_VI]</td>
</tr>
<tr>
<td>SFN</td>
<td>SuperFreakNation</td>
</tr>
<tr>
<td>SUFUNK</td>
<td>Superfunk / Lecky, Mike</td>
</tr>
<tr>
<td>SDG</td>
<td>Surface Design Group</td>
</tr>
<tr>
<td>SVEN</td>
<td>Svensson, Nille</td>
</tr>
<tr>
<td>SWAMP</td>
<td>Swamp Design Fonts</td>
</tr>
<tr>
<td>SWFT</td>
<td>Swfte International [MS_VI]</td>
</tr>
<tr>
<td>SWIFT</td>
<td>Swift, Ian</td>
</tr>
<tr>
<td>SYN</td>
<td>SynFonts [MS_VI]</td>
</tr>
<tr>
<td>SYRC</td>
<td>Syriac Computing Institute [MS_VI]</td>
</tr>
<tr>
<td>SYXRA</td>
<td>SYXRA</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">T</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>T&amp;D</td>
<td>T&amp;D</td>
</tr>
<tr>
<td>T26</td>
<td>T-26</td>
</tr>
<tr>
<td>TABER</td>
<td>Taber, Russell G.</td>
</tr>
<tr>
<td>TACTIC</td>
<td>Tactic Artfonts</td>
</tr>
<tr>
<td>TSS</td>
<td>Tailspin Studios</td>
</tr>
<tr>
<td>TAKEUCHI</td>
<td>Takeuchi, Akira</td>
</tr>
<tr>
<td>TS</td>
<td>TamilSoft Corporation [MS_VI]</td>
</tr>
<tr>
<td>JPTT</td>
<td>Tankard, Jeremy / Tankard Typography (JT, TANK) [MS_VI]</td>
</tr>
<tr>
<td>TDR</td>
<td>Tansin A. Darcos &amp; Co. [MS_VI]</td>
</tr>
<tr>
<td>TARM</td>
<td>TarmSaft</td>
</tr>
<tr>
<td>KUBA</td>
<td>Tatarkiewicz, Kuba [MS_VI]</td>
</tr>
<tr>
<td>TCHAK</td>
<td>Tchakirides, Bill</td>
</tr>
<tr>
<td>TEA</td>
<td>TeA Calcium</td>
</tr>
<tr>
<td>TEALEAF</td>
<td>Tealeaf Digital Type</td>
</tr>
<tr>
<td>TG</td>
<td>Teeple Graphics</td>
</tr>
<tr>
<td>TELE</td>
<td>Television Age</td>
</tr>
<tr>
<td>TERM</td>
<td>Terminal Design, Inc. (TD) [MS_VI]</td>
</tr>
<tr>
<td>TERR</td>
<td>Terrestrial Design</td>
</tr>
<tr>
<td>TPTC</td>
<td>Test Pilot Collective (TPC) [MS_VI]</td>
</tr>
<tr>
<td>THADD</td>
<td>Thaddeus Szumilas</td>
</tr>
<tr>
<td>DREW</td>
<td>The Drewfont Foundry</td>
</tr>
<tr>
<td>THETYPES</td>
<td>TheTypes</td>
</tr>
<tr>
<td>THIRST</td>
<td>Thirstype (TT, TH)</td>
</tr>
<tr>
<td>THOR</td>
<td>Thorbj÷rnsson, PSr</td>
</tr>
<tr>
<td>3IP</td>
<td>Three Islands Press</td>
</tr>
<tr>
<td>TILD</td>
<td>Tilde, SIA [MS_VI]</td>
</tr>
<tr>
<td>TILL</td>
<td>Tillberg, Jan</td>
</tr>
<tr>
<td>TWOLF</td>
<td>Timberwolf</td>
</tr>
<tr>
<td>TT</td>
<td>Timen, Tintin</td>
</tr>
<tr>
<td>TINGLR</td>
<td>Tingler, Dan</td>
</tr>
<tr>
<td>TPG</td>
<td>Tipografica Magazine</td>
</tr>
<tr>
<td>TIRO</td>
<td>Tiro Typeworks [MS_VI]</td>
</tr>
<tr>
<td>HEB</td>
<td>Toledo, Sivan [MS_VI]</td>
</tr>
<tr>
<td>MAPS</td>
<td>Tom Mouat&#8217;s Map Symbol Fonts [MS_VI]</td>
</tr>
<tr>
<td>TOM</td>
<td>Tom, Jack</td>
</tr>
<tr>
<td>TOMI</td>
<td>Tomita, Jun</td>
</tr>
<tr>
<td>TOTAL</td>
<td>Total Type Design</td>
</tr>
<tr>
<td>TOXIC</td>
<td>Toxic Type</td>
</tr>
<tr>
<td>TOZZI</td>
<td>Tozzi, Craig</td>
</tr>
<tr>
<td>TRAILER</td>
<td>TrailerType</td>
</tr>
<tr>
<td>TF</td>
<td>Treacyfaces / Headliners [MS_VI]</td>
</tr>
<tr>
<td>TREEH</td>
<td>Treehouse Design</td>
</tr>
<tr>
<td>TRICOT</td>
<td>Tricot, Bruno</td>
</tr>
<tr>
<td>TROEGER</td>
<td>Troeger, Harry</td>
</tr>
<tr>
<td>TRUCK</td>
<td>Truck Fonts</td>
</tr>
<tr>
<td>TSCH</td>
<td>Tschichold, Jan</td>
</tr>
<tr>
<td>TTYPE</td>
<td>T-Type</td>
</tr>
<tr>
<td>TURN</td>
<td>Turntable Media</td>
</tr>
<tr>
<td>TTG</td>
<td>Twardoch Typography / Twardoch, Adam (TWAR) [MS_VI]</td>
</tr>
<tr>
<td>TPE</td>
<td>Twenty Pound Embryo</td>
</tr>
<tr>
<td>2MM</td>
<td>Two Moon Media ™</td>
</tr>
<tr>
<td>2PEAS</td>
<td>Two Peas in a Bucket</td>
</tr>
<tr>
<td>TYPA</td>
<td>Typadelic (TDEL)</td>
</tr>
<tr>
<td>TYPEA</td>
<td>Type A</td>
</tr>
<tr>
<td>TYPE</td>
<td>Type Associates Pty Ltd (TAP) [MS_VI]</td>
</tr>
<tr>
<td>INVD</td>
<td>Type Invaders [MS_VI]</td>
</tr>
<tr>
<td>TYPR</td>
<td>Type Project [MS_VI]</td>
</tr>
<tr>
<td>TR</td>
<td>Type Revivals [MS_VI]</td>
</tr>
<tr>
<td>TSI</td>
<td>Type Systems International</td>
</tr>
<tr>
<td>TYPART</td>
<td>TypeArt</td>
</tr>
<tr>
<td>TBOX</td>
<td>Typebox</td>
</tr>
<tr>
<td>TC</td>
<td>Typeco (TYP, TYPECO) [MS_VI]</td>
</tr>
<tr>
<td>TYCU</td>
<td>TypeCulture / Jamra, Mike (TYPECULT, TCULT) [MS_VI]</td>
</tr>
<tr>
<td>TFARE</td>
<td>Typefare</td>
</tr>
<tr>
<td>TYPEINV</td>
<td>Typeinvaders</td>
</tr>
<tr>
<td>TMARK</td>
<td>TypeMarket Ltd</td>
</tr>
<tr>
<td>OASIS</td>
<td>TypeOasis</td>
</tr>
<tr>
<td>TØT</td>
<td>Type-Ø-Tones (CZY)</td>
</tr>
<tr>
<td>TYRE</td>
<td>TypeRepublic [MS_VI]</td>
</tr>
<tr>
<td>TYPSET</td>
<td>TypeSettra (TC)</td>
</tr>
<tr>
<td>TYPSPEC</td>
<td>TypeSpectra (TS)</td>
</tr>
<tr>
<td>TYPETYPE</td>
<td>TypeType</td>
</tr>
<tr>
<td>TWORKS</td>
<td>TypeWorks</td>
</tr>
<tr>
<td>TYPO5</td>
<td>Typo5 (T5)</td>
</tr>
<tr>
<td>TYPO</td>
<td>Typodermic (TD) [MS_VI]</td>
</tr>
<tr>
<td>TID</td>
<td>Typography in Decay</td>
</tr>
<tr>
<td>PHAGE</td>
<td>Typophage (TYPOPH)</td>
</tr>
<tr>
<td>TPF</td>
<td>Typophil / Scheiblhofer, Christoph</td>
</tr>
<tr>
<td>TYPOR</td>
<td>Typorium</td>
</tr>
<tr>
<td>TEK</td>
<td>Typotek</td>
</tr>
<tr>
<td>TPTQ</td>
<td>Typotheque (TQ, TYPOTH) [MS_VI]</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">U</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>UORG</td>
<td>U.O.R.G. / Heine, Frank</td>
</tr>
<tr>
<td>UDDI</td>
<td>UddiUddi</td>
</tr>
<tr>
<td>UECKER</td>
<td>Uecker, R.</td>
</tr>
<tr>
<td>U&amp;U</td>
<td>Ulay &amp; Ulay</td>
</tr>
<tr>
<td>ULRICH</td>
<td>Ulrich, Scott</td>
</tr>
<tr>
<td>UMT</td>
<td>Umbrella Type</td>
</tr>
<tr>
<td>UA</td>
<td>UnAuthorized Type (UNAUTH) [MS_VI]</td>
</tr>
<tr>
<td>UNCLE</td>
<td>Uncle Dave&#8217;s Oakstand Enterprises</td>
</tr>
<tr>
<td>UNDER</td>
<td>Undergrond Grammarian / Mitchell, Richard</td>
</tr>
<tr>
<td>REAL</td>
<td>Underware (UNDERW) [MS_VI]</td>
</tr>
<tr>
<td>UNDT</td>
<td>UNDT / Marcus McCallion [MS_VI]</td>
</tr>
<tr>
<td>UNGER</td>
<td>Unger, Gerard</td>
</tr>
<tr>
<td>UFO</td>
<td>United U.F.O. Surf Labs</td>
</tr>
<tr>
<td>UT</td>
<td>Unitype Inc. / Unifonts [MS_VI]</td>
</tr>
<tr>
<td>ZANE</td>
<td>Unrender [MS_VI]</td>
</tr>
<tr>
<td>URBAN</td>
<td>Urban Design, Inc.</td>
</tr>
<tr>
<td>URW</td>
<td>URW++ [MS_VI]</td>
</tr>
<tr>
<td>UTOPIA</td>
<td>Utopiafonts</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">V</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>MVB</td>
<td>van Bronkhurst, Mark</td>
</tr>
<tr>
<td>JV</td>
<td>Van der Bos, Joe</td>
</tr>
<tr>
<td>VDIJK</td>
<td>Van Dijk, Reinout</td>
</tr>
<tr>
<td>VDYKE</td>
<td>Van Dyke, Peter</td>
</tr>
<tr>
<td>VANROSS</td>
<td>Van Rossum, Just</td>
</tr>
<tr>
<td>VM</td>
<td>Vanguard Media</td>
</tr>
<tr>
<td>VAN</td>
<td>Vanmeerbeeck, Dung</td>
</tr>
<tr>
<td>VARDE</td>
<td>Vardemann, Andrew</td>
</tr>
<tr>
<td>VTYPE</td>
<td>Varityper Inc. / Tegra (VT)</td>
</tr>
<tr>
<td>VASAVA</td>
<td>Vasava</td>
</tr>
<tr>
<td>VELLVE</td>
<td>Vellvé, Thomas</td>
</tr>
<tr>
<td>VERB</td>
<td>Verbum AB</td>
</tr>
<tr>
<td>VERES</td>
<td>Veres, Paul</td>
</tr>
<tr>
<td>VIA</td>
<td>Viagrafik.com</td>
</tr>
<tr>
<td>VICTORY</td>
<td>Victory Type</td>
</tr>
<tr>
<td>VTC</td>
<td>Vigilante Typeface Corp.</td>
</tr>
<tr>
<td>VINT</td>
<td>VintageType / Townsend, Susan</td>
</tr>
<tr>
<td>VIRUS</td>
<td>Virusfont</td>
</tr>
<tr>
<td>VISG</td>
<td>Visual Graphics Corp. (VGC)</td>
</tr>
<tr>
<td>VIS</td>
<td>Visual Mechanics</td>
</tr>
<tr>
<td>VLKF</td>
<td>Visualogik Technology &amp; Design (VL) [MS_VI]</td>
</tr>
<tr>
<td>VISUALPOL</td>
<td>VisualPollution</td>
</tr>
<tr>
<td>VT</td>
<td>VISUALTYPE SRL [MS_VI]</td>
</tr>
<tr>
<td>VOG</td>
<td>Vogel, Martin [MS_VI]</td>
</tr>
<tr>
<td>VZEZ</td>
<td>von Zezschwitz, Peter</td>
</tr>
<tr>
<td>VS</td>
<td>VorSicht GmbH [MS_VI]</td>
</tr>
<tr>
<td>VORTEX</td>
<td>Vortex Studios</td>
</tr>
<tr>
<td>VORZ</td>
<td>Vorzimmer, Jeff</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">W</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>WAAP</td>
<td>Waap Designs</td>
</tr>
<tr>
<td>WADA</td>
<td>Wada, Hideaki</td>
</tr>
<tr>
<td>WAGNER</td>
<td>Wagner, Wolfgang</td>
</tr>
<tr>
<td>WAL</td>
<td>Walden Font Co. (WF)</td>
</tr>
<tr>
<td>WALDEN</td>
<td>Walden, Allen</td>
</tr>
<tr>
<td>WALKER</td>
<td>Walker, Emery</td>
</tr>
<tr>
<td>WANG</td>
<td>Wang, Sam</td>
</tr>
<tr>
<td>WANT</td>
<td>Want, Michael</td>
</tr>
<tr>
<td>PT</td>
<td>Ward Technolgies</td>
</tr>
<tr>
<td>WARE</td>
<td>Ware, Richard A</td>
</tr>
<tr>
<td>WAREHOUSE</td>
<td>Warehouse</td>
</tr>
<tr>
<td>WASP</td>
<td>Wasp barcode [MS_VI]</td>
</tr>
<tr>
<td>WATANABE</td>
<td>Watanabe, Tomoyuki / Tee-Wat</td>
</tr>
<tr>
<td>WATKINS</td>
<td>Watkins, Tim</td>
</tr>
<tr>
<td>WATO</td>
<td>Wato, Takenobu</td>
</tr>
<tr>
<td>MW</td>
<td>Watson, Mark</td>
</tr>
<tr>
<td>WAVE1</td>
<td>Wave One / Nitjueni Typefaces</td>
</tr>
<tr>
<td>WAYGREN</td>
<td>Waygren, Leslie</td>
</tr>
<tr>
<td>WSI</td>
<td>Weatherly Systems Inc. / WSI Fonts</td>
</tr>
<tr>
<td>WEBDOG</td>
<td>Webdog</td>
</tr>
<tr>
<td>WEBER</td>
<td>Weber, Jill</td>
</tr>
<tr>
<td>WM</td>
<td>Webmakers India [MS_VI]</td>
</tr>
<tr>
<td>WEE</td>
<td>Wee Graphics</td>
</tr>
<tr>
<td>WEED</td>
<td>Weedhopper Press</td>
</tr>
<tr>
<td>WEIGAND</td>
<td>Weigand, C.J.</td>
</tr>
<tr>
<td>WEISCH</td>
<td>Weischer</td>
</tr>
<tr>
<td>WEISS</td>
<td>Weiss, Oliver</td>
</tr>
<tr>
<td>WELCH</td>
<td>Welch, Matthew</td>
</tr>
<tr>
<td>WEST</td>
<td>WestPaces Publishing</td>
</tr>
<tr>
<td>WESTPHAL</td>
<td>Westphal, Shawn</td>
</tr>
<tr>
<td>WETTE</td>
<td>Wette, Dean</td>
</tr>
<tr>
<td>WETWIRED</td>
<td>Wetwired Fonts</td>
</tr>
<tr>
<td>WHEELER</td>
<td>Wheeler, Stephan</td>
</tr>
<tr>
<td>WDOG</td>
<td>White Dog Communications</td>
</tr>
<tr>
<td>WHITE</td>
<td>White, Glenn</td>
</tr>
<tr>
<td>WHITTLE</td>
<td>Whittle, Perry</td>
</tr>
<tr>
<td>WHOAMI</td>
<td>WhoAmI Design</td>
</tr>
<tr>
<td>WILLHLM</td>
<td>Willhelm, Rev.Josh</td>
</tr>
<tr>
<td>SASS</td>
<td>Williams &amp; Sassoon</td>
</tr>
<tr>
<td>WILLJR</td>
<td>Williams Jr, Donald E.</td>
</tr>
<tr>
<td>WILL</td>
<td>Williams, Aaron</td>
</tr>
<tr>
<td>WILLG</td>
<td>Williams, George</td>
</tr>
<tr>
<td>WIND</td>
<td>Wind, Jon P.</td>
</tr>
<tr>
<td>WINN</td>
<td>Winnerholt, Michael</td>
</tr>
<tr>
<td>W/M</td>
<td>With M</td>
</tr>
<tr>
<td>WIZWORKS</td>
<td>WizardWorks</td>
</tr>
<tr>
<td>WOLF</td>
<td>Wolf, Sander</td>
</tr>
<tr>
<td>WBX</td>
<td>WolfBainX</td>
</tr>
<tr>
<td>WOLFER</td>
<td>Wolfer Type Design</td>
</tr>
<tr>
<td>WOOD</td>
<td>Wood, Robin</td>
</tr>
<tr>
<td>WOODS</td>
<td>Wood, Steven L.</td>
</tr>
<tr>
<td>HU</td>
<td>WoodStone Interactive</td>
</tr>
<tr>
<td>WORDP</td>
<td>WordPerfect Corp.</td>
</tr>
<tr>
<td>WORDSMITH</td>
<td>Wordsmith Fonts</td>
</tr>
<tr>
<td>WORDSTAR</td>
<td>WordStar Int.</td>
</tr>
<tr>
<td>WTC</td>
<td>World Typeface Corp</td>
</tr>
<tr>
<td>WRIGHT</td>
<td>Wright, Michael L</td>
</tr>
<tr>
<td>WUNDER</td>
<td>Wunderlich, Dr C. H.</td>
</tr>
<tr>
<td>WUNN</td>
<td>Wunn-Way Software / Wunn, Adam</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">X</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>X&amp;Y</td>
<td>x&amp;y Co. / Miles Newlyn</td>
</tr>
<tr>
<td>XERO</td>
<td>Xerotype</td>
</tr>
<tr>
<td>XFC</td>
<td>Xerox Font Services [MS_VI]</td>
</tr>
<tr>
<td>XOOM</td>
<td>Xoom</td>
</tr>
<tr>
<td>XPLICIT</td>
<td>xplicit ffm</td>
</tr>
<tr>
<td>XLG</td>
<td>Xtra-Large</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">Y</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>Y&amp;Y</td>
<td>Y&amp;Y, Inc. [MS_VI]</td>
</tr>
<tr>
<td>YAMADA</td>
<td>Yamada, Shigeki</td>
</tr>
<tr>
<td>YAMAGA</td>
<td>Yamaga, Akiko</td>
</tr>
<tr>
<td>YAMAGUCHI</td>
<td>Yamaguchi, Keiichi</td>
</tr>
<tr>
<td>YAWNICK</td>
<td>Yawnick, Marty</td>
</tr>
<tr>
<td>YEEND</td>
<td>Yeend, Richard</td>
</tr>
<tr>
<td>YIKES</td>
<td>Yikes! / Montgomery, Rick</td>
</tr>
<tr>
<td>YOSHIKI</td>
<td>Yoshiki, Koji</td>
</tr>
<tr>
<td>YOSHINAGA</td>
<td>Yoshinaga, Scott</td>
</tr>
<tr>
<td>YOSIRO</td>
<td>Yosiro</td>
</tr>
<tr>
<td>YWFT</td>
<td>You Work For Them / Cina, Michael</td>
</tr>
<tr>
<td>YOUNG</td>
<td>Young, Christopher</td>
</tr>
<tr>
<td>YO</td>
<td>YOWorks</td>
</tr>
<tr>
<td>YOYO</td>
<td>YoYo Rarandays</td>
</tr>
<tr>
<td>YUGI3001</td>
<td>Yugi3001</td>
</tr>
<tr>
<td class="espacio" colspan="2">&nbsp;</td>
</tr>
<tr>
<th class="letra" colspan="2">Z</th>
</tr>
<tr>
<th class="nombre">Código</th>
<th class="fabricante">Organización</th>
</tr>
<tr>
<td>ZANGO</td>
<td>Zang-O / Nazaroff, Jamie</td>
</tr>
<tr>
<td>ZANZIG</td>
<td>Zanzig, Mark</td>
</tr>
<tr>
<td>ZARO</td>
<td>ZaroXanon26</td>
</tr>
<tr>
<td>ZEGR</td>
<td>Zebra Font Factory (ZEBRA) [MS_VI]</td>
</tr>
<tr>
<td>ZETA</td>
<td>Zetafonts / Tangram Studio [MS_VI]</td>
</tr>
<tr>
<td>ZETUEI</td>
<td>Zetuei Fonts</td>
</tr>
<tr>
<td>ZHITOV</td>
<td>Zhitov, Andrei</td>
</tr>
<tr>
<td>ZILLER</td>
<td>Ziller, Thomas</td>
</tr>
<tr>
<td>ZILLION</td>
<td>Zillion, Mike</td>
</tr>
<tr>
<td>ZINC</td>
<td>ZINcreative</td>
</tr>
<tr>
<td>Z23</td>
<td>Zone 23 Fonts</td>
</tr>
<tr>
<td>ZSFT</td>
<td>Zsoft (ZSOFT) [MS_VI]</td>
</tr>
<tr>
<td>ZWERNER</td>
<td>Zwerner, Jeffrey</td>
</tr>
</table>
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